francisco but have a movable feast we show in berkeley, palo alto, san raphael and start at the castro theatre july 24th. >> running july 24th through. >> august 9th. it is probably not only the oldest and largest jewish film festival, the longest. >> as well. >> quite an exhausting run. >> you have had so many different themes and touched on so many layers how form influences jewish life what are some themes you have this year. >> well, briefly, it is a pretty eclectic reflection of what jewish identity, culture and history represents to us in this moment. cure rating a festival i think and jay can elaborate, it is what if vintage of that year bubbles up. we have some special planned programs this year a whole series of films about jewish gangsters, the under world of jewish life films from the 40s, 30s, 60s. 70s, and 90s. a lot of music and celebrator programs, a special program on writers lives called people of the book as well as of course what we thing of as the best sort of the cream of the crop of jewish oriented or subject features, fiction, documentaries and shorts. >> so we have a lo

what is happening to the old color ren so theatre in -- >> april 5th, 1947 its opening night at the theatre. a state of the art movie palace builtry united artists. >> this kind of put us on the map because you had this little tiny quite community that was post war and everybody wanted something to do. >> reporter: so they went to the movies and what a movie house this was says diane. it's stand alone box office, knee on lighted tower and marquis. large spectacular murals on the inside walls. >> when you walk through into the auditorium, you come up a flight of stairs and you see these gorgeous murals of panthers that take up almost the entire wall. >> reporter: in its day, it hosted everything from feature films to live amateur night. now, i may get a second run. >> the plot was purchased by a redevelopment company and the citizens advisory committee unanimously voted to set aside $1 million to work on preserving the theatre. >> reporter: it could take millions more but look for it to make a comeback. >> and hopefully soon, if all goes according to plan, we're going to see more knee on on

they had the danville theatre which is a nice theatre and they were doing roamioand juliette and there was me in the middle of a balcony. it was a nice audience when i walked in my brain was exat that timic, look at the people here. it's almost as good as last years. i said who did you choose last year. and the year before. and told me. i said do you realize they are dead already? >> i'm alive and shouldn't i pull in a little more? [laughter] to go off, thank you for coming. >> my pleasure. i just this month read your book dreaming water. and i was -- i'm very glad to have read it. i'm wondering 2 things. there seems to be more of an advocacy voice in terms of the discrimination of being you know an asian american. and secondly, warner's disease. i'm wondering how you got into writing about that? and the characters were wonderful. >> okay. your first question, first. you know to be totally honest, when i sat down to write dreaming water i thought this is the book that -- i had finished language of threads and written 4 books that took place in asia. because language of threads was a ha

. >> unlike a conventional theatre which is where most of your dancers and perform eers apply their craft, here you had to prepare them to use this unusual spa space. what special training or effort did that require? >> we spent a lot of time on softening the joints because the surfaces are very hard and we had built some dance floors in certain rooms where there is very athletic dancing that will happen because we couldn't do it on the marble or cement floors. but there are still many surfaces that are the way the architecture is and they are very hard. so it is really about learning to move through the joints in a very soft way and know that you have got an hour and a half of being on that surface and kind of pacing yourself. >> as the audience moves from one part of the space to another and sees the different performances, there are kind of mini stories that are told. >> yes. >> what role did you have in shaping those stories? >> i had a pretty big role in that. i sat in these rooms and i imagined lives that had been affected by this institution. so, to tell little stories from many di

if you are in a movie theatre or stadium what do you do? the same thing. these chairs are not heavy dutiy but covering your head is most important. if it's an empty room go against the wall and cover your head. a lot of cut in disaster heads and arms will get cut. those you can control the bleeding where as the head injury is harder. cover your head, the most important thing to do. we cover, beaware. 15 seconds. in the marina people said it felt like a minute. if you are covering yourself under the table and it's shaking what will happen in 30 seconds? you look up, where's the table. hold on to the table. if you are inside, stay in don't go from the known to the unknown. if you are downtown in an office building or shopping at macy's, do you run in the middle of the street? no. you stay where you are. how much time do you have? seconds. you have to make a decision within seconds. if you run to the street what will happen? >> get hit by a car. you have windows, glass to fall on you. high rise. if you know where you are, stay there than to go somewhere you d

onstage at the champagne theatre in branson, missouri. celebrating... ♪ we're here ♪ we're here,e're here ♪ milestones and memories

my coworkers knew i was a volunteer i worked at the berkeley theatre. they joked and said when we have the quake we will come to our house. i said i don't have enough food and water for you you need to make your own kit. i did trainings at work and church. like you sitting here the red cross sent me to a summit. i was sitting there and someone talked about prepare bay area. and the goal of prepare bay area was to prepare one million residents for the earthquake. and it wasn't red cross prepares bay area. it was simply prepare bay area. whether it was the fire department. whether it was me talk to the community, whether it was you, it was about everybody getting together and preparing. the red cross came to me and i said why don't you come on staff and do it officially. so i joined the staff 5 months ago to get the prepare message across. we are doing that with what do we have to do to get your attention? and some of you have seen the cards in the back of the room that show market street after an earthquake. everyone asked when was this taken. the pictur

when the nobel committee asked the crucial theatre to disclose the name of the chief designer who made it possible for the first sputnik and forgotten to go into space good kush. the entire nation created the advanced technology it. never complained about the fact that his health had been affected by the prison camp the public could not associate him with the space program he had no time for that he was busy turning his dreams into reality. of love do you regard him as though he were his own son sygate both. yuri gagarin complemented each other as personalities they were a conflict of all with each other sometimes they didn't even need to talk the first u.s. astronauts alan shepard went into space a month after go and spend only fifteen minutes there and had spent two hours in orbit from braun was clearly losing the race he was tired of being coming in second he was it was pretty well i think discussed it with with the system the government system that that we were operating under not realizing that the russians were really technology smart. was very much in the public eye he often app

theatres, the biggest movie theatre chain in the country. it's struggling with too much debt. >> private equity haunts many a street in new york, including 57th, home to some of the biggest pe firms and they certainly are private says kosmun. >> hollow management: -- appall owe management run by leon black and silver lake partners. there is not even a direct ory. there is radio these guys bring limited partnerships, pension funds to close the deal to collect money from them. and the pitch is give us your money, we'll then use that to buy a company, not bring too much of it down, we'll borrow the rest. we'll zip up the company. it will be more profitable. we'll sell it to other investors. we'll all make out. >> yes, most of the country's pensions are severely underfunded. they need to find ways to increase their rate of return, especially right now with interest rates basically zero. so they get attractive by this pitch. >> reporter: the problem says kosmin is that what private equity firms borrow, the companies they buy have to pay back. and

theatre projection the stereo seventy system was used to film in soviet three d. cinema which was even viewed in some theaters featuring so-called four d. physical effects the shoes may have been a bit gimmicky but at least the an english idea was fashionable at the new york conference of the society of motion picture and television engineers recently heard the cinema photo research institutes director. of defend the nearly fifty year old stereo seventy system as more than a retro relic of the wide format film the cameras used has largely been overtaken by digital he described a future for stereo seventy in the new three d. age future is being hammered out by colleagues at the moscow cinema equipment design bureau who've managed to merge a new generation of stereo seventy lenses to the american made phantom sixty five digital camera for filming in a high quality modern day three d. they say the result is a hybrid that offers an upgrade over the bulky two camera rigs common in today's three d. filming. how do you plan to calculate the parameters to stereo lenses th

often resort to beating them to control their large numbers you hear words like phrases like it's a theatre of war out there teachers are sometimes frightened to go into class because there is such a lack of respect and. it's very hard to with in inverted commas control the class or discipline but for one loving father there can be no arguments about corporal punishment there's a log in st there's no debate if you let people do your kids there will be a monster who will take out his first mission on your own and you will not be able to save your child. it's not open to discussion nobody has. nobody you god gave them to us to love not for some guy to beat them up one father's crusade for justice is bringing a spotlight on the corporal punishment which is illegal but still common in good schools one wonders how many more children will have to suffer before more humane methods of disciplining them are enforced got a thing r.d. . afghanistan is to take control of its future by two thousand and fourteen plans to hand power back to local authorities in the country would discuss the couple's large

often resort to beating them to control their large numbers you hear words like phrases like it's a theatre of war out there teachers are sometimes frightened to go into class because there is such a lack of respect and. it's very hard to with an inverted commas control the class or discipline but discipline is a two way process so not only do you train the teachers you've also got to make the students understand that there is a code of conduct but for one loving father there can be no arguments about corporal punishment there's a law against it there's no debate if you let people hear your kids there will be a monster who will take orders first. and you will not be able to save your child. it's not open to discussion nobody has the budgetary nobody you god gave them to us to love not for some go to beat them up. one father's crusade for justice is bringing the spotlight on to corporal punishment which is a very good still call morning in good schools one wonders how many more children will have to suffer before more humane methods of disciplining them are in forced shot and seeing. on the

our first guest is a very talented actor whose latest film "middle men" opens in theatres august 6th.! ♪ [ cheers and applause ] >> thank you. >> jimmy: nice to see you, buddy. >> how's it going? it's kind of a tough act to follow with all the records. having to go on after james brown. anything else is a bit of a let down. >> jimmy: i can throw cheerios at your face if you want. we had a similar late night experience. we both took over for david letterman when he was sick, remember? >> as host. i do remember that. >> jimmy: what do you think? what were your feelings about that? >> incredibly nerve racking. it was one of those things where they asked, and i was like, "this is unbelievable," and told all my friends. as the days got closer, i was like, "luke, what are you doing? why would you ever agree to that?" just 'cause it's like -- i think i have a tough enough time for being out there for 4 1/2 minutes, and i'm going to host the show for an hour. i go to new york, and i hadn't talked in like a day, sitting on the plane right. five hours from l.a., like, "why am i doing this? this