the patriarch of jerusalem, theophilus ii , turned to the archangel michael foundation with a request. i was attracted to a unique job. an experienced restoration artist, viktor savilov, who has more than once dealt with exhibits from the moscow kremlin museums. russian craftsmen had to restore fenift’s lost silver clasp only using a surviving photograph. this, of course, from the photograph it was not clear that they were very much dented inward, well, here they are generally chipped, but in a significant part, well, yes, everything is here. there to determine the exact timing, it’s not brickwork, where you put the meter, you have to wait a day, you put the meter, you wait a day, that’s it, here, after all, such a process is very much, i , for example, painted this finger for half a day, well, that is, i went and drank coffee, well, that is , there are some moments when it is really very difficult to get the color right. this, of course, is a special, incomparable feeling, to leave your mark, even if invisible, on the gospel, which the hands of peter the great probably touched and he