(thomas doherty) these films often incorporate some newsreel footage. (gunfire and explosions) (leonard fribourg) i received orders to report to the studios. they'd made arrangements with the marine corps to get all the footage out here that they could look at that had been taken during combat in world war ii. we watched the film 5 to 7 hours a day. they were looking for combat and for things that were real that they could use in the movie. (explosion) (dramatic music playing) (whistling of bomb) (explosion) now, the closest i could think of making a real war movie is to have a couple of riflemen behind the screen and during a firefight on the screen. people in the audience aren't killed, but are wounded. (sam fuller) that's the only way i can see makin' a legitimate war movie. (explosions) (narrator) many people felt combat footage revealed the reality of war, but some combat veterans thought differently. when sam fuller made a film about the korean war, he questioned the moral clarity of a ww ii victory parade. americans' mixed feelings about race and