that tilda swinton never said this. >> well, not that i know of. [ laughter ] >> seth: we could never "that black ass michael che" because in my head, let's just say, it's not going to win an award. but let's just say we're to win an award, right? and then tilda swinton is the presenter and she has to open the envelope and say, "the winner is, 'that black ass michael che.'" i just think that would be fantastic and cool and it would be worth it that's a pretty good tilda swinton, by the way. >> seth: "oh, it's very good." >> that's what i did for my audition >> seth: yo, i remember you auditioning as tilda swinton >> yeah, i did >> seth: and i remember lorne saying, "i don't know if i'll ever be able to play her." >> well, you guys wouldn't let me use makeup, so -- [ laughter ] >> seth: speaking of "snl," ellen cleghorne, you have some great guests cecily strong. we saw billy porter in the first episode. >> heidi gardner >> seth: yup man, ellen cleghorne, was great to see >> she was awesome she was -- it was great. that's kind of my era growing up you know, i guess, like, my first era

based on a play byjean cocteau, almodovar�*s english—language debut stars an axe—welding tilda swintonne to a lost love who may or may not really be there. presented with an audaciously cinematic theatrical framing device, the human voice is vintage almodovar and will be screened in cinemas with a pre—recorded q&a with the director and star. are we cut off? or did you hang up? if you don't fancy venturing outdoors quite yet, there are plenty of new movies available for viewing in the home. back in 2010, spanish director rodrigo cortes�*s claustrophobic thriller buried found ryan reynolds awaking in a coffin, in which he would spend the entire rest of the movie. now that scenario is echoed in oxygen, the new film from french director alexandre aja. this time it's melanie laurent who's trapped in a box. a high—tech cocoon in which her air supply is gradually running out. while reynolds was able to communicate with the outside world via a cell phone, laurent has milo, a computer with a carefully modulated voice that's meant to be calming but in fact has overtones of the politely murderous

can say cancel culture doesn't exist i'm a because he's an obedient leftist and i'm your host, tilda swinton moments from his past films that may now be considered offensive. he noted that some stuff hasn't aged well, which is long, but then he got on his high [bleep] horse and went after comedians who take issue with being bashed for old material saying "when i see comedians combining about this kind of thing, i don't understand what their complain about" and he also added this. >> saying terrible things is bad so if you said something terrible, then that's something you should confront in some way, shape, or form. i don't think that's cancel culture, that's you saying something terrible if that's what you've done. >> greg: he makes a great point. why should people with no sense of humor in the present take jokes from the past seriously? art is best when people are terrified. look at all those great comedians that came from the soviet union or cuba or venezuela or north korea. but hey, it's not like seth has anything to worry about. just ask his friend james franco. who he sold down the riv