(tom schatz) by far the most popular film in the late 1960's was "the graduate."able to you -- oh, my c-----! (tom schatz) our notion of monogamy, of sexual identities, particularly women's roles but men's roles as well, are being redefined. let me out. (tom schatz) and it's a very curious film in terms of whether we read that thing as a comedy or a melodrama. oh, j----, that's him. compared to the 30's, there's much more explicit sexual innuendoes -- they're not even innuendoes, they're... endoes. ("wipeout" theme playing) an effect of explicit sexuality has been somewhat negative for romantic comedy. i am not a fan of censorship; however, when constraints are placed on art, artists can find a way of working within constraints, and various layers of meaning erupt out of it. when you bring the subtext of sexuality into the open, when you make that text, where do you go? perhaps it was because the weight of the issues in the feminist movement and the sexual revolution, we don't seem to find as much humor in all of that. well, hollywood responded to the women's move