where you at tongo? he's so gorgeous. i'm an old woman. i can't take this, okay? this is tongo. hello darling. thank you for being here. >> thank you. i talk facing away from the dead. they replace me with the change in my pocket. a penny yet to be invented, you have to know how to cut a throat on the way to cutting a throat. after sleeping on a mattress, made from two garbage bags of clothes, i became content with the small gestures of planation fires. i realized how weird the universe was, so many things interrupt me while trying to dream like your correspondence lawyer. i have 20 books next to a bullet like an old man giving advice before a revolution. explored what is there and found no brain washing, i found africa lord. i have a future, it takes place in the south, modern militancy, i'll walk on a missile for food. i'll be tired face to face with the country. old verse bringing multiculturalism replace me with a chest cavity. stories of travel through other people's stories, my mother remembers africa lord. she killed on behalf of you lord. i wore a machete all winter and

where you at tongo? he's so gorgeous. i'm an old woman. i can't take this, okay? this is tongo. two garbage bags of clothes, i became content with the small gestures of planation fires. i realized how weird the universe was, so many things interrupt me while trying to dream like your correspondence lawyer. i have 20 books next to a bullet like an old man giving advice before a revolution. explored what is there and found no brain washing, i found africa lord. i have a future, it takes place in the south, modern militancy, i'll walk on a missile for food. i'll be tired face to face with the country. old verse bringing multiculturalism replace me with a chest cavity. stories of travel through other people's stories, my mother remembers africa lord. she killed on behalf of you lord. i wore a machete all winter and nobody asked what it meant. i read 1,000 books in front of the world. watch people play for post working surfaces and recreations of a governor's desk, find the bureaucrat and some white people scare easier, fantasizing through the art of the poor, trendy lashes locked be

where you at tongo? he's so gorgeous. i'm an old woman. i can't take this, okay? this is tongo.r's desk, find the bureaucrat and some white people scare easier, fantasizing through the art of the poor, trendy lashes locked before god. i hand over my friends lord. lord, i think i'm going to die in the war. like a blue song with no spiritual effect, apartheid white people who give birth to mathematicians, a sunday trip to church, a river mistake for a talking river. violence and drug use made in the image of god of white abolitionists. chemical assurances they were switched from black worker to white worker. in the same way i think about my childhood. fox hole friday nights. committee points out a plan to a priest. cotton king voluntary. thinking about reassuring the masses we can figure out our fathers later priest reads it before breaking his parallel, i have never before a poet before. little brother watches big brother friends, they leave rifles on walls. it's a simple matter, this revolution thing, to write a poem for god. (applause) >> thank you. thank you so much tongo. we

where you at tongo? he's so gorgeous. i'm an old woman. i can't take this, okay? this is tongo.ernor's desk, find the bureaucrat and some white people scare easier, fantasizing through the art of the poor, trendy lashes locked before god. i hand over my friends lord. lord, i think i'm going to die in the war. like a blue song with no spiritual effect, apartheid white people who give birth to mathematicians, a sunday trip to church, a river mistake for a talking river. violence and drug use made in the image of god of white abolitionists. chemical assurances they were switched from black worker to white worker. in the same way i think about my childhood. fox hole friday nights. committee points out a plan to a priest. cotton king voluntary. thinking about reassuring the masses we can figure out our fathers later priest reads it before breaking his parallel, i have never before a poet before. little brother watches big brother friends, they leave rifles on walls. it's a simple matter, this revolution thing, to write a poem for god. (applause) >> thank you. thank you so much tongo.

where you at tongo? he's so gorgeous. i'm an old woman. i can't take this, okay? this is tongo.hite people scare easier, fantasizing through the art of the poor, trendy lashes locked before god. i hand over my friends lord. lord, i think i'm going to die in the war. like a blue song with no spiritual effect, apartheid white people who give birth to mathematicians, a sunday trip to church, a river mistake for a talking river. violence and drug use made in the image of god of white abolitionists. chemical assurances they were switched from black worker to white worker. in the same way i think about my childhood. fox hole friday nights. committee points out a plan to a priest. cotton king voluntary. thinking about reassuring the masses we can figure out our fathers later priest reads it before breaking his parallel, i have never before a poet before. little brother watches big brother friends, they leave rifles on walls. it's a simple matter, this revolution thing, to write a poem for god. (applause) >> thank you. thank you so much tongo. we have the baddest ass poets in the land.

tongo, thank you so much for joining us here today at the san francisco public library. asian pacific american heritage month. we're so glad everybody could join us for the special program. thank you sir. >> we now move to conversation with the executive director and co-founder of the american indian district in san francisco. >> hi everybody, i'm director of cultural affairs for the san francisco arts commission in the city and county of san francisco and i'm here with... >> i'm the executive director and co-founder of the american indian cultural district. great to be here with you. >> so great to be here with you as well. and you know, we're in quite a time right now with what just happened with the chauvin trial and all of the things happening. we just lived through the last four years of horror with the presidency. and hopefully we're at the beginning of a new period. we work in the area of arts and culture and cultural expression and i know we talked some off line about how do you deal with art and culture that is created for white consumption or the white gaze and

where you at tongo? he's so gorgeous. i'm an old woman. i can't take this, okay? this is tongo.ernor's desk, find the bureaucrat and some white people scare easier, fantasizing through the art of the poor, trendy lashes locked before god. i hand over my friends lord. lord, i think i'm going to die in the war. like a blue song with no spiritual effect, apartheid white people who give birth to mathematicians, a sunday trip to church, a river mistake for a talking river. violence and drug use made in the image of god of white abolitionists. chemical assurances they were switched from black worker to white worker. in the same way i think about my childhood. fox hole friday nights. committee points out adjourned. >> shop & dine in the 49 promotes local businesses and challenges residents to do their shop & dine in the 49 with within the 49 square miles of san francisco by supporting local services within the neighborhood we help san francisco remain unique successful and vibrant so where will you shop & dine in the 49 my name is jim woods i'm the founder of woods beer company and the