, there are the same ones, there are films that i say lalysida, forever forever, you love me, tony noyabrova a little bit of teenagers there, well, except for polysids, and eh, well, that’s all like that, and it looks like such a perfect tense now, that is, but there are all the films... that took place b most yes then directors who got to a-class festivals, these are just potentially people who can create useful content, quality, because they have been to a-class festivals, i was at the berlinale, i was in tallinn, we went to cannes with projects, with our films , ah, and they can do it not only qualitatively, but also potentially useful, because we are type for ukraine, well, that is already much further, well, there is a question, we don't even thank you for it. unfortunately, we don't have time for this conversation, i will, if i may, summarize something that i understood from this, we need if only there were some kind of policy at the level of the ministry of culture, and there was a person who understands these challenges. and there was a person who met the scale of these challenges an