a role already in the middle of the decade in leningrad with the famous directors koznitsev and trauberg, in the film ordinary people, but the film was not released, it was put on the shelf, and nevertheless, for peltser, this was an acquaintance with a real film director, she finally understood how to lead the role. at the direction of the director, she understood how to work in cinema, it seems to me, all her life she appreciated what kozentsev gave her, even if the audience did not see it then, and then worked with his assistants, with nadezhda kosheverova with ilya frez, it so happened that these are two directors who often filmed her, then, well, in the theater she moves to the theater of satire, here at the end of the forties a play is staged, a wedding with a devotee. it is so popular that in fifty-third, i think, it was filmed, the play itself was staged by boris rovenskikh, and the film adaptation was made by tatyana lukashevich, there is a young vera vasilyeva, there are wonderful songs and a small role of a collective farmer, a klutz, she sings a little, she sings pure songs,