trotwood, mr spenlow! sorry. yes. bye — bye! sorry? what was that? just chip. bye—bye, tree.0k, ok, you left all the way through that. but mech i left a lot during this film can actually. i think it has an extraordinary cast, i mean they cast... been is the most brilliant incarnation, that putting bowl haircut. what i love about the film as this, firstly, i think it's really vibrant, i mean it's a really vibrant piece of film—making. it sets up this theatrical motive at the beginning, and all the way through the film, there are these kind of theatrical scene changes, when they will be in one scene, and the backdrop will literally fall away like a tart falling, which kind of reinforces the idea of a theatrical presentation. it also has, for me, a touch of terry gilliam is about it. there are childhood memories in which you see some fantastical things like a hand breaking through the ceiling as memory and fantasy gives way to reality. it deals with all the really tough stuff like that time in the bottle factory, but, the film is a lwa ys the bottle factory, but, the film is alw