creative method, is there a danger that in your maximalism you will reach the sculptures of alya zurab tseriteligallery, a wonderful gallery on the prechistenka for everyone who can go to moscow, visit this gallery, it’s very interesting how he developed, here are his works, he is already such an artist of age, you see, meter, luminaries, yes, art and he... also changed, yes, but he still remains more within the framework of the academic method, although he also moved away from it, we can recognize zurabatseriteli in some works and you see, again, the same couch commentators they criticize his works, well, you see, it’s easy to criticize, don’t build, but vilify everything, uh, well, i don’t look like zurab konstantinovich, well, it’s just that i can be compared with some representatives, i compare myself. and art critics who work with my works, immersing themselves, studying, can compare me with representatives of the russian avant-garde, again, this is such an artistic phenomenon, a phenomenon of our culture, which originated directly here, if academic art came from western europe, and simply