anivodnaga. festival of jazz, the saprady called me to the stage, i came out, so i know that the hand of tsesnaall the veils, slavneft, well, i know that this is the naftavae of the patriarchal archestra, i give and i read, shakes, shakes, pumps, slavneft, pumps our land, pumps, pumps, as we couldn’t pump before, rocking is not a burden to us, and that the country is getting richer, pumping rights, trade unions, pumping taxes, the treasury, the oilman pumps and knows that life will become more prosperous, slavneft pumps day and night, and finberg pumps it. and yashche yon sumyashchaў two pasadas: mastatskaga kіraўnіka and holektara. kalektyva kalya has 200 chalavek, mozha navat and a large roof, geta 200 ambitious, 200 forests. 200 families and for everything it is like a dyrektar adkazvae, it is supplied to musicians for a lot of water, prapisak , for a lot of chestnuts, deficient tadas auto, putyoukki letam dzetsyam, daktarov, well, everything that was required was skin to my chalavek, yes we all stand with such a pavagai and with great respect, pavaga, pavaga. kozhny musician arkestra kalekt

true "live music " . he called me onto the stage, i came out, so i knew i had fallen the hand of the tsesnaft, well, i know what... these naftavae ancestral enterprises of the patriarchal archestra, i let and will read, pumps, pumps, pumps, slavneft the bowels of our land, pumps, pumps, pumps, like they couldn't download before, rocking we are not a burden, and for the country to grow rich, they pump up rights, trade unions, pump up taxes, the treasury, the oil industry pumps up and knows, and yashche yon sumyashchaў two passes - master kіraўnіka and holektara. the kalektyva kalya has 200 chalaveks, mozha navat and the roof is large, geta 200 ambitsy, 200 forests, 200 families, and for everything , as holektar adkazvae, yon dapamagu to musicians in nabytststi kvater, prapisak, in nabytstsi porridge thin, deficient then cars, places . only ў finberg's arkestras at the same time with arkestras yon vyvaў tra. svae pastulata, with yakimі pryshoў on pasada kіraўnіka kalektyva, he himself does n’t play the trombone, other musicians here play dumb, he doesn’t write music himself and doesn’t live,