slepkov hovered for a long time, but only ivan tsvetaev managed to bring it to the end. for over 20 years. and the building was under construction for 14 years and the first casts at the university appeared in the middle of the 19th century. tsvetaev - he just continued to develop it, but he took it in a slightly different way. he was able to bring money. this it was his talent professor at moscow university . how important it would be through the sculpture of blind architecture and painting to teach students the history of art, urged patrons to donate to the construction. well , tretyakov morozov, prince shcherbatov, donated, and the largest donation made alekseev , or rather, according to her will, a representative of a well-known family of merchant alekseevs is known. she bequeathed 150,000 rubles. based on the museum the only condition that also bear the name of emperor alexander iii. companions and the main sponsor of the project industrialist and philanthropist yuri nechaev maltsov in the head of the moscow archive preserved his handwritten letter to grand duke ser

tsvetaev - he just continued to develop it, but he took it in a slightly different way.able to raise money. it was his talent as a professor at moscow university. tsvetaeva is a philologist. the classic who studied antiquity in this note of 1898 scientifically substantiated. how important it would be to teach students the history of art through sculpture, architecture and painting, urged patrons to donate for construction, but tretyakov morozov, the prince of shcherbatov and the largest donation, donated. uh, made by alexieva. rather, according to her will, a well-known representative of a well-known merchant family. she bequeathed 150,000 rubles. on the basis of the museum, with the only condition that the main sponsor of the project, industrialist and philanthropist yuri nechaev maltsov, should be named after emperor alexander iii , his handwritten letter to grand duke sergei alexandrovich was preserved in it. he coordinated the details of the interior decoration of the building luxury staircase. the main hall has 24 columns, standing on the sides of the stairs and the

tsvetaev orders casts of the work. they are cast by bending.es of the athenian temples are statues. parthenon, and here in the italian courtyard. all of europe, golden brothers from germany, sculptures from austria, france, and finally, the most shocking first- time visitors to the museum, david, the work of michelangelo from florence was already there then, and hall number one with originals from egypt is being sold by an egyptologist. vladimir golenishchev originally, uh, golenishchev offered this personal collection of emperors to the hermitage. as you understand, at that time the emperor refused to pay such an amount. it was 400,000 and through the duma, the state decided to purchase unique ones. at the tokinsk and painting collection of this old master, for example, rembrandt, but primarily the collection of moscow patrons shchukin and morozov, ivan abramovich and sergei ivanovich returned from paris and brought new fresh gauguin genes, relatives write in letters. and also monesizan matisse degas picasso it turns out that he also brought s

before the revolution, the museums began with the slepkov collection and the dreams of professor tsvetaevle appeared on this frame exactly 110 years at the main entrance of the members of the imperial family. and here, under the very roof, he sang on the opening day. chorus. now there is an amazing collection of egyptian antiquities from golenishchev, the first originals of the museum, all the great archaeological discoveries that took place at the end of the 19th century. at the beginning of the 20th century, they all ended up in the bootleg collection. you could say that even he buys a fragment from pyramids of bootlegs brought three mummies from egypt, they are in sarcophagi and what moscow children did not go to pushkin to look at the mummy or a copy of darida, michelangelo, but growing up rushed to the impressionists. there were feats of hercules who performed at a time when others could not do them, new names were revealed , works of art were shown that were considered impossible to demonstrate the views of a soviet person, irina alexandrovna antonova turned it over. she showed the

i want to say this with oleksandr tsvetaev. i want to ask you about local self-government.ave. in fact, it was voted on and signed by the president of the law, which is very serious now . limits the functioning of local self-government for the time of martial law, and it seems to me that this topic is not talked about much in the mass media , but it is important because this is a huge gain, so, well, this is what is very important for us to preserve after the war, these are our gains , so that because there are people in power in power and so on who would like to reverse this reform and return to some russian types of country management. i really hope that we, well, the main thing is that by fighting with russia, they will turn into a small russia, this is always we have to remember this is true, andrii, we see a fresh summary of the general staff, we are already analyzing it in specific directions and we see that, according to the general staff, the russians have improved the tactical position in the area of ​​vasylivka in zaporizhzhia, this is the bakham direction, and th

centuries, which opened 5 years before the revolution, museums began slepkov's lectures and professor tsvetaev imperial family. and here, under the very roof, he sang on opening day. chorus. now there is an amazing collection of egyptian antiquities, the top of the first originals of the museum, all the great archaeological discoveries that were made at the end of the 19th century. at the beginning of the 20th century, they all ended up in the bootleg collection. it can be said that even he buys a fragment from the pyramid of bootlegs, he brought them with trem from egypt, they are in sarcophagi and what moscow children did not go to pushkinsky to look at the mummy or at a copy of david michelangelo, and growing up they shot at the compressionists there were the exploits of hercules who were performed at a time when others could not do them, new names were discovered, works of art were shown that were considered impossible to demonstrate the views of a soviet person, irina aleksandrovna antonova turned it over. you are picasso's shlera. upon learning that the gioconda exhibits. tokyo decided t

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