work, irma viktorovna kudrova, the only person admitted to the archives of tsvetaeva’s nkvd. have been to this the brodelshchikovs' house, on this half where marina lived, with mur, i saw this beam on which she hanged herself, this beam is for me like this, in order for me to hang myself on it, i need to put it on my neck, what do i need to bend bend my knees, bend my legs, and have someone hold me by these legs, because if a rope starts to choke me here, the person starts twitching and stands on the floor, it was impossible to hang himself there, impossible, and who would it bother in that case, this is a very difficult question , and i don't think it should be touched now, because it is too complex, i want to first return to the children about love, everything is in lines, everything is in lines, they lie , written hastily, heavy with bitterness and negligence, between love and love my moment, my hour, my day are crucified, my year, my age, nothing was born without love, so very often she came up with this love for herself, well , rilki, for example, well, rilki are rilki -

worried that the girl had all the heroics, and i’m an old woman, so he’s with me in this poems, as tsvetaevath that he needed, and i remember how he was already jumping in front of me showed me everything, just with his hands, everything as it should be, at some point, apparently, he told me, well, here’s what else i have to do for you... to play it, and for some reason i felt so ashamed, i took it and i played, i had an a+ in skill, but it was myagkov, he turned some kind of lever in me that i began to open up, to open up or something, so he was very patient, delicate, but i had no head, in general i had zero brains, literally at all , when we were filming with him, and i understood that he was old, well, my mother’s age, and how well, he wasn’t brilliant, he didn’t look after him. of course, everyone always looks at young artists, andrei vasilyevich, no , i wasn’t afraid of him, but i always got ready in front of him, so he somehow made me strict with his presence, so he was strict, and he could do something this is to hiss, help, in some moments, to suggest, wow, yes, yes, yes, i remember

more creative people, rather than some kind of exclusivity, when it is creative, so you say, yes tsvetaevai mean that there is a certain godliness in this, all the time, all the time it came out like this a good film, it was called turkish goneretsky gombi. theatrical films, they cannot exist, they cannot work for i agree, i agree, i agree that talent will sprout, let's, let's give an example, an example of the work of creative industries, the turkish gambit film, which was the result of a work of art, firstly, in -secondly, spectacular spectacular cinema, then inside there is music that has become popular, which means there are a lot of these components, which are all parts of these very creative industries, without which this film could not have arisen, it would have appeared like this just because there was a spot, a great actor, a spot , a wonderful director, a spot, a wonderful composer , not 35 of them are the same, it doesn’t happen, then this is digitalization and robotics, that is, you just insert programs into robots they they will, they are already trying to do this, seriously,

couldn’t do it, he missed one word, and uh, all the races. no, the meaning has changed, these are tsvetaeva’she and i, i say, brother and sister, he says, i say, that means you and me, and yuri vasilyovich forgets one word, more beautiful, and the meaning completely changes, he says, listen to the fairy tale, there were two people, she him, and he her, looking at me. and what can i sing in poetry? i say: brother and sister, he says: i say, that means you and i , i bury myself in his lap, because we are both split, like , well, the most interesting thing, that’s all, when we shot up like this, in the hall they don’t notice it, they don’t hear, they don’t understand, but it seems to them that this is how it should be, or because they are attentive, not always, not always, because i had a different case with vasil semyonovich, he just completely impressed me... mowed and he himself always told this story, and i played in the play frederic or boulevard of crimes, it was for his anniversary, he played the great french artist frederic lemaitre, i am his mistress, a young artist, a beauty, not in th

house is notable not only for its intricate architecture, but also for its history, great people, tsvetaevapainted their paintings kabakov, on the top floors of the building there are still creative workshops, well, it’s already good. progress, new windows appeared in the entrance , they are historically in the form the architect intended and the lighting and wooden and at the same time double-glazed windows, that is this is how it should be, the soviet glazing bead is already leaking, pieces of this glazing bead are already falling off, the glass is trying to jump out of the entrances into the street, it’s simply dangerous for people, another house, to which very soon the capital will give a new life, well, in a historical appearance, the savinsky courtyard on tverskaya, a building built in 1907, originally stood on the red line, one of the main road arteries of the capital, but the renovation of moscow, approved by the general plan of 1935, almost sentenced the house to demolition, fortunately the architectural monument was decided move into the yards. this, of course, was a very difficul

poor man, this is to those who have slandered their homeland, they say hello to marina ivanovna tsvetaevaaldai, i really was there, i was very glad, we were so much we then discussed this all evening together. what form our president was in at this valdai, it was simply amazing 3 and a half, if not 4 hours, of such a very serious conversation, and an unprepared conversation, but i asked a question, for example, i know for sure that no one is with me agreed on this question, whether i would even ask any question, i think this was the case with most questions, so we saw that humor. for which all these years we have loved our president for his charm. and a stunning analysis of the situation in the world. as you rightly answered, this is all happening, why? because the world has gone crazy and the president reminded us of the points at which he went crazy and where the world is heading. he spoke about imperialism, a forgotten word from soviet times, we don’t they often remind us of him, but in vain, because he was, and he is. and u.s. it is russia, the countries that are the luminaries of imp

banal, yes, it’s such an original thing, after all, loving bryusov for the new time , yes, but for tsvetaevaround, well, not on stage, but somewhere at home, at the table, when people they will find out that you remember, i remember too, a lot of poems, even though god forbid, if i’m not an actor, people perceive it with surprise or as something else, dima, when the taganka theater was born, and i was born with it, i have run out of doubts about whether i am an actor or whether i will go into literature, it was taganka and... it was a poetic genre that my beloved and i discovered, but maybe before moving on to that taganka, well, just we’ll tell you about this time again, in recent years there has been very close attention chained to this decade or fifteen years, yes, between 56 and sixty-eight, approximately how it looked from the inside, we know a set of, well, also such cliches, not cliches, well, such common opinions, and up to ... freedom, as it was seen , i felt a fresh wind of hope, a fresh wind of hope, yes, this, yes, i was already an independent adult guy, i had already canceled my

he copied archaeological monuments of the century by order of ivan tsvetaeva, director of the museumasked the artist, copyist reiman, to go to rome to make an album, that is, to make watercolors for an album with images from the roman catacombs, and reimon, for about 10 years in the dark, in the dampness, sat and wrote, copied these frescoes; according to legend, the face of the virgin mary was captured by the apostle luke, who has the gift of a painter, for which the mother of god herself blessed him, the brushes of the evangelist... and the creation of the image of adigitri or guidebook, now there are about 300 only known, miraculous and especially revered among orthodox believers list this icon. the exhibition includes a work by the 18th century artist georgy zinoviev. the mother of god points to the baby who will go through the sacrifice of the cross and become a savior. in the gospel there are words about jesus christ: i am the way of salvation and life. and it’s as if since jesus christ is the way, the path to salvation, then this is the image of the mother of god. mother of go

the soul, not for money, we still have young people who , when seducing a girl, retell... poems by tsvetaeva themselves, their shame will sort them out, we don’t draw up marriage contracts , a girl accepts gifts of flowers from a young man, not considering herself legally obligated to him, we have not yet legalized the sensual life of existence, our students in the hostel do not rent out pots to each other, only in russian in there is kvn in the world, only in russian, which means that only we have so many cheerful, witty, young people with one quick-thinking mind, only here a young man can bring a girl home late at night and begin to tell her with all his passion a textbook on thermodynamics, and only ... he votes with applause for only our girl can fall in love with him after his impassioned monologue about the heat death of the universe. we still have, there are girls who are turned on, excuse the frank word, turned on by the male organ of two letters. the mind that thought, everyone thought, because the conscience of russia has always been not kings or ministers, but pushkin, tolstoy, ch

, mom, dad, look, aunt masha and i made a frame, wow, but that’s more not all, but yayan, marina tsvetaevayou, let’s go, no, i want masha, yanochka, don’t upset me, mom, go. good night, i haven’t read to you for so long, good night. and you know, mash, at first i doubted our choice, but now i know for sure that you are the best nanny for our daughter, that is, now you still like me, you don’t love me anymore. but i couldn’t refuse her, it’s hers first pregnancy, but remember us, remember how we suffered when everything was bad for us, she did so much for me, if i refused her, it would be a real betrayal, so you are betraying yana and me, yes, i do everything for you and yana, and this house, if it weren’t for me, it wouldn’t exist, and in general, what in general, well, finish the conversation. that i'm a bad husband and can't support you? i’m not saying that, but in general i feel like a poor relative next to you, with a great career woman, well, leave me then, maybe your pride will calm down. help you, no, that's all. everything is fine, i’m just tired, everything seems to be fine, but i

suddenly, a half-forgotten actress, no war woman, anastasia tsvetaeva, began to sing for israel. 15 yearstely , well, in general it was such a rehearsal for me, and now we just have an evil enemy whom we can simply hate, is it our fault? foreign agent anna mangait also considers russia to be one of her phobias. she accuses moscow of making it scary for jews to live even in europe. we were thinking about going to the anna frant holocaust museum today with our eldest child, but then we decided that it wasn’t worth it today. of course, it is unlikely that hamas will decide to attack the holocaust museum in amsterdam, but there is no logic to hamas's actions. and maybe this particular idea will seem successful to them. fear - the most effective weapon of all killers. hasn’t left since february '22, what have they brought us to? so, andrei nikolaevich, well, there’s a lot of stuff here, there are obviously people who earn some points , khazbik is a millionaire, i don’t know about him, i don’t know the first one, who washed away his sidelocks there, he apparently hopes how - to monetize everyth