now, if you recognise tye sheridan, it's probably because he starred in the steven spielberg film readymotion capture and cgi. you know, you're wearing the suit and the head cam and you've got the dots all over your face and, you know, it's a lot of fun. but unless you have hundreds of millions of dollars to go and shoot a film like that and afford the capture system, it's really challenging to break into. it was around the time of shooting the film that tye got together with visual effects supervisor nikola todorovic to set up wonder dynamics, with a view to creating a system which would allow anyone to motion—capture anything, anywhere. with motion capture, the set—up is a big problem. you always have to constrain yourself and then if you want to shoot something else or move to a different location, you have to transfer all that, take your time to set up and do it. what we noticed, and, you know, tye and i worked together with some film—makers that are very super artistically free... they'll shoot something, they'll see a different location in a distance, they're like, "let's go there