the consciousness of the hero himself, that’s how it seems, uh, because it also seems to me that udostoevskyere is no between the sacred, yes, that is, it is interesting , yes, because if a person lives this life in the spiritual dimension, this property, in fact, does not change anything. here, and with him all the heroes are pulled up there, but again, yes, that's it, let's remember palych. this is a person who, uh, says, uh, the most touching at least, if not the deepest words, but love yes, because, well, with dostoevsky, always through the lowest. he goes to the highest through the funniest to the great himself. that's when fyodor pavlovich explains that there were no babies for him. and in general, it’s like, well, it’s already one thing, too, the fact that she is a woman. this is already half of everything, and so on, because he, in fact, talks about god's infinite love for anyone who wears human form. yes, he thought so, yes, he not only thinks, he also feels like that, which is much more serious. that is, he experiences this love, which is simple, because there is, well, yes, a woma

crater and lucian from samosata and daniel defoe and where in russian literature prince duysky udostoevskyny man, but still here twentieth century, how much it depends fantasy of the twentieth century depended on real discoveries in parallel were morozov balchevich, tsiolkovsky those who have already directly said that, gentlemen? it is possible, as it all began in literature. well, you know, here's what you started with the classics practically in the sense of the words in which they, in general, here the word is used by the classics of antiquity a and e, the authors of the new time, the authors of the 19th century. they generally did. it seems to me a certain vector. and e space for the writers of that period of that era of those eras. it's, uh, something more something better than the earth, that is, this is an ideal of some kind. yes, some, i would say even a place where they revolve and grow, uh, all sorts of different utopias of the world's rasouls. yes uh. well, starting from the fact that this one here, the period of rotation of the moon is 12 times longer than with the aversion of

unconsciously here only then is it truly and effective, therefore, he has such a retreat strategy of udostoevsky, unlike tolstoy, who will say everything many times and repeat just in case, if, after all, yes, but still tolstoy writes after chekhov’s word and writes because then the story is darling, because it is so beautiful that it was written unconsciously. uh, tolstoy is precisely tolstoy, but he himself acts, otherwise. but, uh, that's why those who love tolstoy are those for whom dostoevsky is too cruel to drag. yes, because tolstoy raises questions like these, yes, here, illuminating the soul in another plane. he seems to be from this plane. yes, because, that is, his hero is experiencing doubt. and you understand that, mmm, you, as it were, can walk this path with them and this is, as it were, a normal human life. and when you suddenly look at it from the point of another being higher, firstly, you can see more. secondly, it is seen from a different perspective. that is, tolstoy shows this as your human, and dostoevsky shows it as yours, preventing you from being a man, and these are co