really bought by sheptytskyi, but it was also donated not to novakivskyi, but donated to the ukrainian national museum yes, of course , he paid for the school, that is, for this school premises and for the accommodation that was nearby, he paid, he paid with his paintings, and this was one of the reasons why he had a very close relationship with the museum, and he never once never had a personal exhibition in lviv during his life, because vintsitsky , who was invited by sheptytsky to become the director of the museum, tried to... well, as an enterprising man, he tried to constantly undercut the price of paintings, and since novakivsky, he knew that he was in favor of it, well, that is, it was an opportunity to keep him the price for living, and in addition to living , well, in maintaining the school as well, because very often it turned out that those who came there, they came, well, let's say this, it was often a story when novakivskyi was there and fed, and provided, and was. were different, and that's why it was important to him, and his, his paintings were expensive, and he kept that brand of expe

was bought by sheptytskyi, but also donated, but not to novakivskyi, but donated to the ukrainian national museumd. yes, of course, novakivskyi also paid for the school, well, that is, for this school premises, and for the accommodation that was next to him, he paid, he paid with his paintings, and this was one of the reasons why he and the museum had a very close relationship, and he never had a personal exhibition in lviv in his life, not once, because actually it was svintsitsky who was invited by sheptytsky to be... director of the museum, he tried, well, as an enterprising man, he tried to constantly lower the price of paintings, and since novakivskyi knew that he was for it, well, that is, it was his opportunity to keep the price and live on it, and besides, to live, well, to keep as well as the school, because very often it happened that those who came there, they came, uh, well, let's put it this way, it was often a story when novakivskyi also fed there. and provided, and there were, there were, it was different, and therefore it was important for him, and his, how his paintings were expe

actually dug up by sheptytskyi, but also donated, but not to novakivskyi, but donated to the ukrainian national museumich he created, yes, of course, novakivskyi also paid for the school, well, that is, for this premises for the school and for the accommodation that was nearby there, he paid, he paid with his paintings, and that was... one of the reasons why he had a very close relationship with the museum, and he never once in his life had a personal exhibition in lviv, never, er, because actually just vintsitsky, who was invited by sheptytsky to become the director of the museum, he tried, well, as an enterprising man, he tried to constantly lower the price of paintings, and since novakivsky, he knew what he was for , well, that is, it was his opportunity to keep the price and live on it. and in addition to living, well, to maintain the school as well, because it very often happened that those who came there, they came, well, let's say this, it was often a story when novakivskyi fed and provided for and there were, there were, there were different things, and that's why it was important for him, and

national importance. the museum of ukrainian antiquities founded in 1896 was located in this historical building.quently , the chernihiv historical museum, and since 1980 - a library for youth. ternovsky's house. it survived shelling in 1918 and 1919, was targeted during the second world war under the bombs of the german nazis, but the kremlin horde came and completely destroyed the 19th century architectural monument. the russians destroyed the mariupol drama theaters with aerial bombs on march 16, 2022. despite the fact that at that time, hundreds of townspeople were hiding there, and in front of the entrance was the inscription "children" in capital letters. they died under its ruins. of mariupol now, the occupying authorities have covered the remains of the theater with banners with portraits of russian writers in order to hide the traces of their own crimes behind them. the building is also a monument of architecture, history and monumental art. as a result of a direct hit by a russian missile in may 2023 , the national literary and memorial museum of hryhoriy skovoroda in kharkiv oblast in

destruction of ukrainian national symbols in the occupied territories, about the destruction and theft of ukrainian cultural heritage, about the burning of ukrainian books. hundreds museumsies and monuments were bombed, burned or shelled. russian troops in the occupied territories search public libraries. they are looking for any books related to ukrainian history. here, all the books are in modern languages, because this language was literarized and nothing was left behind. more than 11,000 paintings and other works of art were taken away by trucks and buses. this happened not only here. but even throughout the country , the theft of art goods was not on such a scale, which, according to experts, had not been seen in europe since the time of the nazis robberies during the second world war. the destruction of culture is not... not among the acts of genocide defined in the un convention and the rome statute, but they make us recall the vision of the man who created the term genocide, who is also behind the un genocide convention, rafal lemkin. dr. lemkin is the man who coined the word genocide and has really been fighting its manifestations for a very, very long time. dr.

museum, and today the exhibition "izpolya was born" is presented here, which is dedicated to the ukrainian military, doctors and volunteers. in particular, here are collected a lot... 40 exhibits from the national museum of the revolution of dignity, which tell stories about the 23rd mandra, serhiy fomenko with a musical greeting. also , a charity auction will be held at the exhibition, because the purpose of the exhibition is primarily charitable, it is to collect for the urgent needs of evacuation wagons that take out the wounded, and i suggest to listen in more detail about the current success in this collection and what to do with... from the representative iryna soloshenko's kolo charitable foundation. evacuation of the wounded with the help of evacuation wagons. this is a project that we are doing together with ukrzaliznytsia and the command of medical forces, this is the reconstruction of existing wagons, their complete conversion. to support this very project of ours, we are currently collecting funds for uninterrupted electrical equipment during movement. we definitely need generators, they are present in every car, so we collect on generators. so we hope that the organizers will be ab

museum of the ukrainian composer oleksandr koshyts in the premises. the head is joining our broadcast now. of the ukrainian institute of national remembrance, while you can share in the comments with your thoughts anton drobovich is already in touch. mr. anton, welcome, thank you for joining. the bolhakov museum did not agree with the institute's conclusions. they say that the document is not professional because it is too emotional. do you agree with this criticism? well , look, literally today i am returning from the armed forces of ukraine to the institute, and my colleagues and i will analyze the remarks and warnings that were expressed to him. in my opinion, there are really some emotional moments and maybe even some factual inaccuracy, we will check it, but the main thing a detail that is important in this discussion is whether to glorify and normalize bulgakov in the public space or not, judging by the things he wrote, what he said, it is inappropriate to glorify and normalize him, as for the book, no one bans any book, no, no museum expositions, even in the school program, he... has a dog's heart, so you know, here you have to approach this qu

museum in the open air? and here is such a symbiosis of the territory with the customs of each nationality we united the moldavian, ukrainian, german, jewish, gagauz, and bulgarian obisia. that's it. to reconstruct houses traditional for bessarabia. in the 19th and 20th centuries, a full-fledged expedition was carried out in the region. well, the moldavian countryside is as dad drew it. dad was born in 1933 . the soviet authorities and propaganda worked so hard that he became a completely soviet person. he even forgot the moldavian language. the soviet authorities resettled and separated them from their native land. there was another period when he... says: sasha, why do you need it? must, why are you doing this? and i say: dad, i want, i will glorify this place to the whole world, it is somehow, somehow like that. once he tells me that i will not be there for a couple of months, i will be in odessa, he lived in odessa, the apartment was there, but for the last 6-7 years he lived in frumushyk, and he says that i need to undergo an examination there, something there. medical and i say: dad, take, please, draw a drawing of th

the bulgakov museum in kyiv will continue to exist, but its name will be changed, gentlemen, do you agree with this conclusion of this institute, the ukrainian, ukrainian institute of national memory, and is it necessary to take everything that connects us or once connected us with... russia, with everything that made us kindred, that made us a community somehow there, and throw it aside and talk about what's next for us we will somehow be without bulgakov, because bulgakov was an emperor. andrei, well, in the part about monuments and names, i fully agree with the conclusions of the institute, because when we talk about... about monuments , we are not talking about the literary work of this writer, we are talking about exactly the imperial symbols, and when we see as the pushkin monuments are being demolished, they are demolishing the putin monument, in fact, or the monuments there to catherine, stalin, i.e. it is a symbol of the empire, primarily not a tribute to the work of this poet, and the same is true of bogakovo, the same can be said about others. shih russian cultural imperial writers. i myself was born in sevastopol, lived there for 22 years, and you know, there wa

museum in kyiv will continue to exist, but its name will be changed. here. do you, gentlemen, agree with this conclusion of this institute, the ukrainian institute of national memory, and whether or not everything that connects us or once connected us with russia, with everything that made us kindred, that made us a community of some kind should be taken and... thrown aside and talked about the fact that we will somehow continue without bulgakov, because bulgakov was an emperor. andrew? well, in the part about monuments and names, i fully agree with the conclusions of the institute, because when we talk about monuments, we are not talking about the literary work of this writer, we are talking about just imperial symbols, and when we see how they are demolished memory. pushkin, then the monument to putin, in fact, or the monuments there to catherine, stalin, is being demolished, that is, it is a symbol of the empire, primarily not, a tribute to the work of this poet, and the same about bugakovo, you can say about other russian cultural imperial writers. i myself was born in sevastopol, lived there for 22 years, and you know, there was not as much bulgakov th

museum in kyiv will continue to exist, but its name will be changed. do you, gentlemen, agree with this conclusion of this institute, the ukrainian, ukrainian institute of nationalory and... and whether or not everything that connects us is necessary or once connected us with russia with something that is native to us. that we were being taken as a collective and thrown aside and told that we would somehow be without bulgakov, because bulgakov was an emperor. andrei, well, in the part about monuments and names, i fully agree with the conclusions of the institute, because when we talk about monuments, we are not talking about literary works. for this writer, we are talking about precisely imperial symbols, and when we see pushkin's monuments being demolished, they are actually demolishing the putin monument, or the monuments to catherine, stalin, that is, it is a symbol of the empire, primarily not a tribute to the memory of the work of this poet, and the same can be said about bogakovo and about other imperial writers of russian culture. i myself was born in sevastopol, lived there for 22 years, and you know, well, there there were not as many bulgakovs there as

national museum in lviv and belong to a private collector. here you can see all the key themes of creativity. maria prymachenko, this is the struggle between good and evil, ukrainianature, animals, fantastic beasts, life in the village, folklore motifs, as well as paintings on topics that worried the artist at one time or another, for example, in the mid-1980s, she created a series of works called atomic war, be damned , she created such an atypical image for herself on a dark black background, such a terrible beast, in fact, in which she depicted this terrible threat of atomic war and. .. and besides, in general, war very often appears in her works, as such an image of a terrible monster, which, i think, by the very fact that she paints it, she gives herself the opportunity to be less afraid of this threat, because she has experienced it all her life influenced by memory about the second world war and the horrors of this war. the exhibition is organized as a gesture of solidarity between poland and ukraine and aims to present the work of mstkina abroad . many poles are not hearing about the ukrainian artist for the first time. i saw maria prymachenko's works for

bulgakov museum in kyiv will continue to exist, but its name will be changed, so whether do you, gentlemen, agree with this conclusion of this institute, the ukrainian, ukrainian institute of national and whether everything that binds us is necessary or used to connect us with russia with something that made us kindred, that we were taken as a community and thrown to the side and said that somehow we will continue to be without bulgakov, because bulgakov was an emperor. andrei, well, in the part about monuments and names, i completely agree with the conclusions of the institute, because when we talk about monuments, we are not talking about the literary work of this writer, we are talking about precisely imperial symbols, and when we see how monuments are being demolished "pushkin's monuments, then they are demolishing the putin's monument, in fact, or the monuments there catherine, stalin, that is... i myself was born in sevastopol, lived there for 22 years, and you know, there was not as much bulgakov there as in kyiv, but for example, the pushkin gymnasium was also pushkin, and the street, of course, pushkin, and there was no pushkin, although before the history of sevastopol ,

maximilian voloshin museum from destruction after the maidan of 2004 and finally stopped after the maidan of 2014. in the interval , ukrainians were pumped up with radical nationalismaliber, these are all megastars, thank you, thank you, it’s the 70th birthday of members of dmitry kiselev’s team and it was organized. the lake was slightly frozen, there were ice holes, there were shelling and bombing by german aircraft, all this risking their lives, in the first 2 years of the war alone, 276 cars were raised from the bottom of the lake, but at the same time how many were saved, look, the world is at war, these are the quilted jackets, since the evacuation took place in winter along the road of life, primarily forging, it is completely unique, unlike what took place in st. petersburg for the eightieth anniversary of the liberation of leningrad, here in addition to fifty. paintings, many installations, extensive work with sound, interactives, the famous diary of tanya savicheva, piercing the soul, was shown for the first time, the notes of a little girl about how her family died during the siege, the last entry, everyone died, only tanya remained, her evacuated to the

national and patriotic education, in 2010 he joined the myrhorod regiment of the ukrainian cossacks. here he started the first competitions of jura and participated in its creation of the cossack state, an open-air museum in the city center. we are proud of the fact that he contributed his share to the development of the cossack state, this monument of local importance. anatoly yevhenovich karban is a soldier who served ukraine all his life, and these are not just some words, these words are confirmed in his actions, in his deeds, in his deeds. anatoly and alyona karvan lived in a happy marriage for 34 years, since they were students, young historians were united by one love. love for ukraine was the main thing for him. he carried it to the children. he wrote it in in his diaries, these were his speeches, which we all remember, what sticks they were, his speeches about ukraine, when we have the spirit of fighters, when we have these monuments that we erected back in the early days of the revival of ukraine, when we remember ourselves as cossacks, when we remember ourselves as ukrainians, our spirit is indestructible, visiting her husband's grave, alyona karban often takes his diaries with her, reads a

nation, like a lullaby, like a vysyvanka, like a ukrainian song, it is our tradition, it is the basis of our ukrainian culture, in memory. chervonograd pysankar taras horodetskyi. the prozarks created the svitlytsia museum. here they keep a collection of easter eggs with ukrainian attributes, clay and ceramic products. the real easter eggs of taras horodetskyi and yulia mykolaivna borko are kept in the light house. you can examine them, they are very interesting and colorful. we have ceramics various masters who live in chervonograd. this is andrei. lida olyanytska, as well as serhiy ivashkiv. prozerok independent women's society exists on organizational contributions and charitable donations. the participants want to open at krasnoye. art center named after yulia burko, to hold exhibitions and master classes in this space. kateryna oliynyk, oleg palyamart, espresso tv channel. the occupiers were again bombed by a bomber. this time fab 1500 fell on a small shop in the temporarily occupied yenakiyiv of the donetsk region, he said journalist denys kazanskyi. he added that the video shows that the projectile is simply a miracle. did not break the real heroes in the battles in the eastern direction, they gi

nation, like a lullaby, like a vyshyvanka, like a ukrainian song, it is our tradition. this is the basis of our ukrainian culture. in memory of taras horodetsky, a pysankar from chervonograd. prozarks created svetlytsia museum. here they keep a collection of easter eggs, ukrainian attributes, clay and ceramic products. the real easter eggs of taras horodetskyi and yulia mykolaivna borko are kept in the light house. you can examine them, they are very interesting and colorful. we have ceramics by various masters who live in chervonograd, such as andrii ulyanitskyi, lida ulyanitska, and serhii ivashkiv. independent women's society prozerok, exists for organizational contributions and charitable donations. the participants want to open an art center named after yulia in chervonohrad burko to hold exhibitions and workshops in this space. kateryna oliynyk, oleg palyamart, espresso tv channel. we have a new collection, walkie-talkies and armor plates are needed by the intelligence unit of the third regiment of special operations forces, they fight for the independence of our country in difficult battles on the eastern front and give us the opportunity to live, work and study. our goal is uah 720,000. let's not de

i would like to emphasize that when you remember the ukrainians in the battle of kursk in the second world war, our museum is the national royters agency, french defense minister lekarnu had a telephone conversation with russian defense minister shaigu. while there are no details, the intriguing news, to be honest, is, of course, only one detail for now: the head of the french ministry of defense, in a conversation with shaigu , strongly condemned the terrorist attack in crocus city hall , expressed solidarity with the families of the victims, we need, of course, official confirmation of this conversation from the russian ministry of defense and details. ask. our day today in the state duma was devoted to the report. the government of the russian federation, i am sure that you have already talked about this, it will probably be analyzed today in all news programs, on all our television channels, the government was supported by deputies, by all factions of the state duma, and , in fact, the fact that despite the unprecedented number of sanctions, 19 sanctions are more than there are in principle in total for everyone... t