so feature debut of ulaa salim, a danish director whose parents are iraqi. in denmark four years in the future. there is a populist politician on the rise, and there is an election during which he appears to be doing quite well. behind him are the titular group the sons of denmark, who are basically a kind of white supremacist nationalist group who were behind a whole bunch of islamophobic attacks in copenhagen. as a result of those attacks, young muslims are being radicalised at the same time. let's see a clip. so you can see from that clip, it's kind of gritty but has a thriller undercurrent. what then happens is we follow an undercover agent who is infiltrating that cell, but who becomes absolutely convinced that the greater threat is being posed by these kind of white nationalists. the interesting thing about the drama is this — on the one hand, i mean, it takes a real—life situation, it kind of imagines it four years in the future, so there's an element of, you know, fantastical imagination about it. and at times, it's really gritty and really convincin

so feature debut of ulaa salim, a danish director whose parents are iraqi. in denmark four years in the future. there is a populist politician on the rise, and there is an election during which he appears to be doing quite well. behind him are the titular group the sons of denmark, who are basically a kind of white supremacist nationalist group who were behind a whole bunch of islamophobic attacks in copenhagen. as a result of those attacks, young muslims are being radicalised at the same time. let's see a clip. so you can see from that clip, it's kind of gritty but has a thriller undercurrent. what then happens is we follow an undercover agent who is infiltrating that cell, but who becomes absolutely convinced that the greater threat is being posed by these kind of white nationalists. on the one hand, i mean, it takes a real—life situation, it kind of imagines it four years in the future, so there's an element of, you know, fantastical imagination about it. and at times, it's really gritty and really convincing and does a very interesting job of wrong—footi

i do think the ulaa salim is an interesting film—maker and we will see better work in the future.reat, because it does have a tendency to slip into melodrama, when actually what it needs is to keep the downbeat tone that characterises the best scenes. it is set in 2025 — i wonder why. because it's basically extrapolating from the present situation and saying, "let's see. if we imagine these trends, let's put it..." so, it's near enough future to be present but far enough away to not actually be what is happening right now. ok, thank you for that. and jumanji: the next level. the same but more, you say? you could say that about any sequel, couldn't you ? well, no, because it's quite often the same, but less. so nobody thought thatjumanji: welcome to thejungle would be any good, because thejumanji original movie... i know people like it, i was never a big fan of it. in welcome to thejungle, they essentially — rather than things coming out of the board game, our heroes go into the video game. this time, we get the same crew back again of dwayne johnson, jack black, kevin hart and kar

so, feature debut of ulaa salim, who's a danish director whose parents are iraqi.there is a populist politician on the rise, and there is an election during which he appears to be doing quite well. behind him are the titular group the sons of denmark, who are basically a kind of white supremacist nationalist group who were behind a whole bunch of islamophobic attacks in copenhagen. as a result of those attacks, young muslims are being radicalised at the same time. let's see a clip. so you can see from that clip, it's kind of gritty but has a thriller undercurrent. what then happens is we follow an undercover agent who is infiltrating that cell, but who becomes absolutely convinced that the greater threat is being posed by these kind of white nationalists. the interesting thing about the drama is this — on the one hand, i mean, it takes a real—life situation, it kind of imagines it four years in the future, so there's an element of, you know, fantastical imagination about it. and at times, it's really gritty and really convincing and does a very interesting job of w