with regards to uladzislava galubka.in behind which the neshta was hovering. new , unknown, traci signaled the curtain of the paisha ugor, the artist passed on to me, words, dzeya, that day changed all my life, uladzislaa lethal contagion on the mastastva, yon malyavau, grau archestras on tarambon, conquered folk harmonicas, prychym all geta ўfreed hell pratsy with woodsmen albo cantors hour, at 24 bastards lad raptam pachynae pisats tops pa-belaruska: maybe geta is connected with you, what ў yago life did the kahanna appear? jumpers yadzwize petrashkevich, cavalier subsides. payna, menavita yana began to be called the yago pyaschtna galubok, and after her all the others. then he gave his father his nickname zmyani. here we have a dzetsi, a cotton and three dzauchynki. klopata was ill, and galubok mary's theater was very early. in 1917 near minsk posters appeared. pa-belarusian. the cup of enthusiasts celebrated the first products of drama and comedy. uladzislava went to castryn and became actors. there was a problem wit

khutka uladzislava galubka in our towns and villages knew where to sculpt the same shakespeare.o atrymae first, navat did not melt. uladzislava galubok is already done. if the artists were to serve the people, then the hour would become increasingly harsh. vandroin's theater began to listen to the public, it was not under control, and then asadzic berries were grown and processed from the extraordinary. this is how a traditional belarusian theater appeared in gomel. the first two were in minsk and vitsebsk. napachatku galybok pratsyagva kiravats corpses, ale hutka rashennym yago adhilili. true, it came out earlier, and performances were staged, and even more so. a new hour of work has been carried out, ideas have been verified, the public has not lost them, the shakespearean heat of the barbarian slaughter has not succeeded, and all the honours’ efforts are in order. in 1935, on the 15th anniversary of the galubka theater , personal cars were installed. ale himself, from nostalgia, knows these hours, which are the actors of the infantry. mastatsva and illuminations of our people

hutka, uladzislava galubka ў ours the scales and meats knew where to sculpt and why.t melt. uladzisła galubok would have already been given to the artists of the people's saprauda, ​​but the hour would become increasingly harsh. vandroўny theater is becoming uncontrollable. and then the asadzic berries were grown and the animals were processed. so in gomel, three belarusian peasant theaters appeared, the first two were in minsk and vitsebsk. napachatku, galybok pratsyagvaў clean up the corpses, ale hutka rashennem zverhu yago adhilili. true, the stage was released earlier, and the performances were staged, and then completely different. new hours of creative work have been verified, the public has not lost them. the shakespearean heat of the barbarian fire did not succeed. and all the cadets. in 1935, on the 15th anniversary of the galubka theater, there were personal autamabils, and he himself, from nostalgia, for the past two hours, as well as the actors of the pechat vandravala in all belarus, for the sake of mastery and lights of the swaigo people. for the soul, g