our guests are vladimir and sergey krestovsky, group uma torman, this is a podcast 20 years later, watchght watch happen? bicombetov realized that he needed a song. yes, there's just no song. oh, he, he turned to you. yes, what was needed urgently yesterday. yes, i urgently need to write a song yesterday. it's like malevich. malevich, the exhibition is in 2 hours, calmly, they’ll draw it now. yes yes yes. that's it, i was given the task of what it should be, how he sees it, i looked at the sources, there are drafts, what they filmed, yeah, and they also gave me processing of lukyanev’s texts, yeah, that’s it, i sat down to work, you loaded it all into a meat grinder and gave it all out, this is what happened, wow, how long did it take you to write, you don’t remember approximately the time, i don’t remember, but it was there days, yes one day, if not one day, we wrote everything down. it was at home in one day at home that the song “night watch” was recorded , which, in general, it was included in the cinema in this form, it absorbs everything that lukyanenko wrote about this, everything