he serves in the theater, acts in films, teaches and heads the union of cinematographers. in general, i don’t know how he manages himself, but he found time in his busy schedule and came to us. today. my guest is the actor director and the chairman of the union of cinematographers of belarus viktor vasiliev viktor good morning viktor in the cinema was very unexpected for you and it happened. she was once still a teenager. what an amazing story this is. i was then 14 years old, i was leaving the entrance, and a normal full-length feature film was being shot nearby, and the director noticed that he was missing, apparently, some kind of frame. yes, in front of the main stage, and the eagle saw me and said, be so kindly, - says - come out of this door close and run away. well, somehow we keep it all in our memory. we are so used to the fact that the movie should be played. i went out and looked at the clock. looked around, all around sighed decided to swing. stop. i only asked to leave. i did the same anyway, in the end. he said cut everything. that's it. leave it like that, it

right here the union of cinematographers was created.enwriter, yes, and the producer is morgen, and with fingers fingers we were lucky these fingers, which we took from the bottle , the prints were punched through our file cabinet, and they belong to one urka recidivist. roma three crosses here. burkov roman feel in him in the sense is it four shawarmas for four or is it all four for me? you always have to do everything alone. roman i have an interesting offer for you. loaded the car. learn trainee. why such a girl? they say we have liverpool. let's get out of this boring place. i will show you a mask that you have never seen before. here this major flies his jacket like jack to me. how much does it cost well, yes, it was further. well, what's next ? they frayed something there, something about satan. i did not enter, passenger, merged. i pulled the major. i say now you will answer that you don’t serve there on fridays, whom do you not serve? and he do you know who i am? i say, and you know the bottle against the wall and i will hire. wh

rather than for those who left in 2009. congress of the union of cinematographers in gostiny dvor whengues tried to make a revolution in our union then at this congress, i said, this is a picture that destroys the consciousness of a person, changing him and so on receives five awards of some kind, how can i think so, the viewer, i could not watch half the film on the screen. maybe i don’t understand something, but i’ll look into the newspaper, and in the newspaper the eggs are head critics. they will popularly explain to him that the abomination that he saw is he himself . be patient and look, i am not against the truth , hard, uncompromising and even cruel, but as one wonderful old man said, cruel, truth, without love is a lie. with any new truth, there must be love, love for those people about whom you are talking. this has always been the basis of the tradition of all our national art. it is one thing lived through, even if cruel and unjust, but illuminated by compassion, and another thing, a contemptuous look from the window of a comfortable apartment at that very people or at this

congress of the union of cinematographers in gostiny dvor when a small group of our colleagues tried ion then at this congress. i said this is a picture that destroys the consciousness of a person, changing his vector of a creative attitude towards his country, his culture, traditions, and so on , receives five awards of some sort, as the viewer thinks so. i couldn't watch half the movie on the screen. maybe there's something i don't understand i'll look in the newspaper, and in the newspaper the eggs are the head of the critics. they will popularly explain to him that the abomination that he saw is he himself . be patient and look, i am not against the truth , hard, uncompromising and even cruel, but as one wonderful old man said, cruel, truth, without love is a lie. with any new truth, there must be love for those people about whom you are talking. this has always been the basis of the traditions of all our national art. one deed, lived through, even if cruel and unfair, but illuminated by compassion and another thing is a contemptuous glance from the window of a well-appointed apar

congress of the union of cinematographers in gostiny dvor when a small group of our colleagues tried in our union then at this congress, i said, this is a picture that destroys a person’s consciousness, changes his vector of a creative attitude towards his country, his culture, traditions, and so on , receives five awards of some sort, the viewer thinks so. i couldn't watch half the movie on the screen. maybe i don’t understand something, but for the blade i’m in the newspaper, and in the newspaper the eggs are head critics. they will popularly explain to him that the abomination that he saw is he himself. be patient and look, i am not against the truth, hard , uncompromising and even cruel, but how said one wonderful old man, cruel, true, without love there is a lie. the truth must be love for the people you are talking about. it has always been the basis of the traditions of all our national art. it is one thing lived through, even if cruel and unjust, but illuminated by compassion, and another thing, a contemptuous look from the window of a comfortable apartment at that very people

he serves theater acting in films teaches and heads the union of cinematographers. s busy schedule and came to us. today. my guest is the actor director and the chairman of the union of cinematographers of belarus viktor vasilyev viktor good morning viktor i know that your first film role was very unexpected for you and it happened. she was once a teenager. what an amazing story this is. i was then 14 years old, i was leaving the entrance, and next to me they were filming the cinema is a normal full-length feature film and the director noticed that it was missing, apparently, some kind of frame. yes, in front of the main stage, and the eagle saw me and said, be so kind, he says, you see from this door close and run away. well, somehow we keep it all in our memory. we are so used to the fact that the movie should be played. i went out and looked at the clock. he looked around, all around he sighed and decided to stop. i only asked to leave. i did the same anyway, in the end. he said cut everything. here it is and leave it this is what is called ignorance of the profes

he serves in the theater, acts in films, teaches and heads the union of cinematographers.'t know how he does it all.

aunt asya generally disgrace our profession and there is no place for such people in the union of cinematographersrs, because i would be a disgrace. you understand our profession, it was said by klara luchko who no, this is a respected wonderful actress. well , that's the way it was attitude not because she well was such a worldview. commercials with tatyana tashkova were shown on the air of all the country's tv channels millions of millions of times, therefore, in the big cinema and on the big stages, directors and producers did not see her return tatyana alexandrovna to the screen , her son alexei tashkov succeeded. he found money to gather a film crew and, together with his famous father, made the film three women of dostoevsky, and a few years later, when yevgeny ivanovich was no longer around, he released another movie with his mother in the title role. well, how tight it can't be. is that your size? well, little mom. so when you grew up, he filmed his debut full length. here is a picture of the meeting. well there was a premiere at the cinema house there was a premiere at the actor's house a

congress of the union of cinematographers in gostiny dvor when a small group of our colleagues tried that destroys the consciousness of a person, changing him five awards of some kind, how can you think so, viewer? i could not watch half the films on the screen. maybe i don’t understand something, but i’ll look into the newspaper, and in the newspaper eggs-head critics. they will popularly explain to him that the abomination that he saw is he himself . be patient and look, i am not against the truth , hard, uncompromising and even cruel, but as one wonderful old man said, cruel, truth, without love is a lie. well, any truth should be love for those people about whom you are talking. this has always been the basis of the traditions of all our national art. it is one thing lived experienced, even if cruel and unfair, but illuminated by compassion, and another thing, a contemptuous glance from the window of a comfortable apartment at that very people or at this country. why next to the word patriotism? so the word kvass did not recede, and in general, why this attitude to everything of

once, not on grebeshkova, i went on a tour with colleagues from the union of cinematographers in malaysiascussing leonid iovich. here is a guide that he filmed all his life. this is not art at all and resentment for her husband. and it was also a shame that he sincerely did not notice that he was underestimated and envied. she thought for a long time that it was from innocence, and only years later she realized that her husband saw and felt everything perfectly, but they reacted only because they did not allow anyone to spoil their lives. this is one more time confirms the truth that in a still pool, as they say, you mean that it is gaidai, the bright, kind wide one. and the films are simply overwhelmed with a stream of joy and smiles. after all, it's not a gift. everywhere, gaidal films were shown. caution you see, life-threatening, step aside. and even here it is life-threatening when the film has already been filmed and released on the screen. my friend came from beijing and says, i fly to beijing, i enter the house, i turn on the tv, and there in china on the screen there is a fingai.