went to bed, and in the morning i had some business to do, i really forgot, i went to the union of cinematographersorridor and alone, and the oscar is coming, but it should be noted that things happened on april 1, so i appreciated the joke a little, so to speak , well, everyone who congratulated did not congratulate, but somehow warily and fearfully looked in my direction and said, yes , they seem to say that then somewhere someone heard something and so on, and i must say, there was no official information, only in the evening i was called to the the cinematographers' union, not a union, was summoned to this very ministry, minister the editor-in-chief of the ministry is sitting , the director of the studio is sitting, says: well, congratulations on the oscar, indeed, the topic was closed, all criticism stopped instantly, and of course they fell silent, but nevertheless, you know, we don’t know how to admit mistakes when it was so powerful, from all ends, in fact. they scolded the picture, so they kept quiet, i would say so, but then we, you know, how can i tell you, had a society. divided, many c

serhii trimbach, ukrainian film critic, film expert, screenwriter, chairman of the national union of cinematographersukraine in 2009-2016, laureate of the state prize of ukraine named after oleksandr druzhenk in 2008, author of many publications devoted to the history and modernity of ukrainian. cinema, congratulations mr. serhiy, good health, thank you for taking the time to talk with us. to be honest, serhii trimbach and i initially wanted to talk about ivan dzyuba, about this wonderful film ivan and marta by serhiy bukovsky, which was released, and now you can watch it in ukrainian cinemas, but then we realized that we will talk about the generation of the sixties, about poetic cinema, about what, in fact, it is to be ukrainian. in the soviet union, in the soviet state, and i want to start with this: literally a few days that's why we celebrated the 10th anniversary of the maidan, and our wonderful singer maria burmaka wrote a post on facebook about what it meant to be a ukrainian child, a ukrainian-speaking child in soviet kharkiv and not only in soviet kharkiv, even after the collapse of the sov

went to bed, and in the morning i was on some business, i i really forgot, i went to the union of cinematographerst it should be noted that things happened on april 1, so i a little, well, appreciated the joke, so to speak, but everyone who congratulated did not congratulate, but somehow looked warily and fearfully in my direction and said, yes, they seem to be saying that somewhere someone heard something and so on, i must say, there was no official information, only in the evening i was summoned to... the cinematographers' union, not a union, they were summoned to this the very, the ministry, the minister is sitting, the editor-in-chief of the ministry is sitting, the director of the studio is sitting, says: well, congratulations on the oscar, indeed, the topic was closed, all criticism stopped instantly, yes, they of course fell silent, but nevertheless, you know, they don’t know how to do us. to admit mistakes when it was so powerful, from all over, in fact, the picture was scolded, so they kept quiet, i would say so, well then, you know, how can i tell you, society was divided, many considere

to live, something else, well, somehow, i probably wasn’t a member anywhere, not in the union of cinematographersnya is standing on a motorcycle, well, so do i i don’t remember, vadik zakharchenko is sitting, he keeps saying don’t growl, all this happens against the backdrop of the house where i was born and raised, this arch, yaovsky boulevard building 2, under the bells, man. pokrovsky gate and my house, in general, all this was filmed in smolensk, everything that happened connected with a motorcycle and there is a policeman who. suitable, it was the director of this picture, the wonderful director vladimir foykin, who is called their godfather in cinema, because he was the first to decide to act, to film a person with such a face in a film, and then there was zakharov, your birthday is in winter, and i i want, since we have known each other for a very long time, i know that lenya, to put it mildly, does not like mass holidays, especially in his honor, so i always congratulated him, either he is on the ski slopes, or he is on trips. with my family, i want to give you a gift, small, new year's,

i i wasn’t a member of the cinematographers’ union anywhere, nor did i have this certificate from thesomehow i was like that, i was such a cowboy that no one really needed, you know, an absolutely free artist, well , somehow everything worked out , there was some work on television, some work in cinema, but if you have already started talking about cinema, then probably the beginning of my film biography is like the real one, i was filming in 1978. in the detective movie in 1978, i starred in that same munchausen, the detective for me very dear, i periodically forget the name of this film, for some reason, probably, the majority of those living in the post-soviet space remember the moment where lenya is standing on a motorcycle, well, i don’t remember either, vadik zakharchenko, he keeps saying don’t growl, all this happens against the backdrop of the house where i was born and... in general, all this was filmed in smolensk, everything that was connected with a motorcycle, and there is a policeman who comes up, it was the director of this picture, the wonderful director vladimir foyki