, but this is how kurasawa’s deep intuition forces us here to reveal internal symbolism where in ustoevskyot, in the end, the producers forced it to be shortened, and the full, complete version did not reach us, that is, the author’s version, there is none, there is none, then kurasawa himself looked for the studio for the original author’s version, and didn’t find it, it still hasn’t been found, it’s unknown whether it has been preserved, yes, well, in the montage that has reached us, this is, in my opinion, ideal done, this is this single rhythm in compliance with the symbolism of the complex property. this is the most important category of dostoevsky’s world, total polarity, yes, uh, radical polarity of light and darkness, god and the devil, this is what is held here by the symbolism of snow and fire. very. to shoot there, he told me, khotyanenko said, well, i’m afraid to make a mistake, well, here’s the ending of the crime of punishment, here’s how to film it cinematically, by the way, fyodor mikhailovich himself wrote, he has a letter where he writes that this is the genre and stateme