utley. at my alma mater, the university of louisville, i was glad to have begun the mcconnell scholarship program, a rigorous and prestigious scholarship program for the finest students in kentucky. it prepares them for a lifetime of leadership and service, and dan was one of the best mcconnell scholars to ever grace the program. i couldn't agree more with what my good friend, dr. gary gregg, the director of the mcconnell scholars program says of dan's loss. dr. gregg says "america has lost a rising star." dan was born in bowling green, kentucky, on april 13, 1979, raised in glass tkpwoe, kentucky. he went to glasgow high school where he played soccer and was a member of the academic team. he was a member of glasgow's first christian church. dan had a lot of hobbies, but most of them had one thing in common: they did not take place inside four walls or under a roof. he loved the outdoors, remembers dan's father charlie. he loved camping, hiking, biking, jumping out of airplanes, canoeing, ka

one of the things about burke, one of his biographers, utley, pointed out that burke's development was because of his prolonged and undisciplined reading. think about that. prolonged and undisciplined reading. immersed in history. and that appreciation for history and that appreciation for how the country continued to develop through what could have been a very bumpy time is the basis for burke's philosophy. at all times, through all of those potential upheavals, the preservation of existing freedom was foremost in the english psyche. and that's how it became part of our psyche. burke saw that, understood like nobody else in his time, i believe, and that might be unfair to blackstone, but like nobody else in his time did that preservation of existing freedoms was essential to progress and the goodness of human life. that is, the fullness of human life that you get to leave. understanding all the while that throughout this, every time there was a bump in the road, parliament came up with a little more power. and if you think about it, from charles i to where the british is now and to wh

garrick utley did a narration for it. we rushed the film out to the airport for the next flight to the states. so feeling bold, i decided to go to "time" magazine with the dozen or so rolls of stills i had. bureau chief jim wild was delighted to get color on due co-. it was the flavor of the week. he was quite happy. just as i was leaving, he grabbed my arm and he said, kid, how do i know you didn't have your lens cap on when you shot this. if i ship all this to new york and it's no good, i'll kill you. early the next morning i dashed in to see how much they used on the evening news, and there was a tellex coming through on the wire from mack johnson in new york just as i walked in. and it said, on pass north, it says looks like due co-story shot with lens cap on. then the telex went dead for about two hours. damn, i must have shot the story with the new fangled bolex gizmo in the fade-out leaver gear. chances are my stills with that new licoflex i ground into the dirt was about as bad and jim wild will surely kill me. it

in the case reese utley, george clooney and darfur were actually getting arrested and publicized in thatsue. but chaplin practiced what he call visual polity. that is he was actually very shy. it was the most famous celebrity in the world who claim that every time he has to speak in public he would throw out before hand. and so he preferred to put his politics directly on the screen and in his early film, throughout his career, but he did was what i call it antiauthoritarian politics. he slammed all authority figures are mainly those who gave working-class people a hard time from employers to form intimate to world figures like many the mussolini and adolf hitler. and because he owned his own company as he was both producer, here, right here, start, composer for the score and eventually distribute or come he could do anything he wanted to do. no studio hatchet on what he could or couldn't do. so he put his politics directly on the screen. by the 1930s he began to get much more overtly political and by the 1940s when he made the great tater, which was the first really the first american f

are that particular. >> we have certain players that have 18 to 20 models for themselves like chase utleyows every single one. >> and he knows every single one. >> we used a pujols bat to take a few swings at the training center where players often worth with ainsworth and co-founder joe lawrence. both manage day-to-day operations and have expanded the company's offerings. aluminum bats, gloves, and clothing. >> the grassroots of the company is still the core of the wood bat. but we're building everything around that. we're almost becoming a -- you know, a mecca of baseball. >> jack, who remains part owner, never left his day job. but he insists that no matter what marucci makes, tell always stay true to the original mission which began in that now-famous back yard. >> there it is! whoo! >> guys, if that's not a formidable and imposing wiffle ball bat swing i don't know what is. i wanted to -- i wanted to be here for this. i wanted to be back in the studio for this, but we got you a present in advance of the cbs softball season that everyone's -- >> no way! >> look at this! >> jeffrey --

chase utley has 18 models in our computer of his own bat. >> and he knows every single one. >> and hehe training center but they work with ainsworth and joe lawrence, co-founders, both now managing day-to-day operations and have expanded the company's offeringsing aluminum bats, gloves and clothing. >> the core of the wood bat and we're building everything around that. we're almost becoming a mecca of baseball. >> reporter: jack, who remains part owner, never left his day job. but he insists no matter what, marucci makes, it will always stay true to the original mission which began in that now famous backyard. >> there it is! woo! >> reporter: guys, if that's not a permitable and imposing whiffle ball bat home run swing, i'm not sure what is. listen, i wanted to be here for this. i wanted to be back in the studio for this. but we got you guys a present in advance of the cbs softball season that everyone is -- >> no way! >> look at this! >> jeffrey! >> reporter: three custom crafted engraved major league quality bats. >> look at that! >> i was going to ask you -- i was going to say two