hello, vadim ivanovich, my name is alexandra, tell me, how does your working day begin? my working day begins with reports from duty officers on the state of affairs in the republic of belarus, what emergencies have occurred, what kind of people were assistance was provided, what combat work was... and continued service in the internal affairs agencies and units, conscientiously fulfilled his duties, tried, at least this is an honest, open and responsible matter, i think that this is one of the principles by which i was appointed to this position, those are more interesting to work in the ministry of emergency situations or in the ministry of internal affairs, why? you know, i served in the internal affairs agencies for more than 30 years, and the number of events that occurred in different positions, services, of course i could tell a lot about this, but to do the choice between, where it is interesting the ministry of internal affairs and or the ministry of emergency situations, probably not quite right, it is interesting where you serve, it is interesting where you br

of working with him, she was, i remember that, but to say that some influence, well, firstly, vadim ivanovichraman, if we talk about the visual influence, he is such a colossus and such a multifaceted colossus. i would say, and i would not i put it together with pelikhina with all due respect to her, and what unites them is that this is shpalikov's script, and then accordingly there... in the grain there is shpalikov's intonation, but this intonation, it was nevertheless transformed into a film classic, by the soul and consciousness of ikolaevich and the director who saw it, transposed it, the same andrei petrov, the composer, in general, you know, somehow not long before his death, he gave me a book, he... he wrote wonderfully, he published several books, and i remember some interview of his, he said that he could have shot all his films one more time, except for i walk around moscow, and i understand why, because i walk around moscow, it was a mood, it seemed like nothing, but just like that, and the main thing, i remember, georgy nikolaevich, whatever you ask, it was then that the second y

son-in-law pavel immediately ran out into the street and saw vadim ivanovich on the ground.zen was standing over him. he had just stabbed the pensioner. he had inflicted a living wound to his thigh, from which the man later died. marina buchnaya, press secretary of the kaliningrad regional court. noticing pavel, citizen moved towards him with a strange question: where is she, who? without looking at her, he started waving the knife, well , that is, he stabbed him in the elbow area, that is, he injured his hand. despite the sharp pain, pavel grabbed a board, hit the enraged citizen on the head, and rushed towards vadim ivanovich. suddenly the tenacious criminal got up again, grabbed the knife, they were here near the fences, chasing, chasing, more screams, soon the police arrived in the yard, by this time the pensioner was already dead, pavel was sitting next to him, he also lost a lot blood, consequences... this is reflected in the materials of the court case, he was left disabled, the function of his hand, unfortunately , did not return to him, the killer himself was nowher