fabulous taiga in the podcast 20 years later , vadim samoilov and albert potapkin, our guests are two, very nice, thanks to vadim, this is a group, this is one of my favorite groups, it still exists, and a legend who has worked with countless groups, the brightest of which is nautilus pompilius, aquarium, this is a drummer, a musician, now in the agatha christie group, they are lucky that he is with them, albert potapkin, hello, albert, hello, vadim , good evening, the song is fabulous taiga, a great hit, as you called it, ironic - somehow wait, well, not a parody, but something like this, well, yes, it is in a sense a parody, yes, an aesthetic joke, yes, at one time it so happened that with this trick we anticipated such a later legendary project as an old song about the main thing, remember, it was, because that frankly this is a reference to the music from the film gaidai, zatsepin's music, wonderful, people are losing each other, so we deliberately went for this move, and it was easy and fun and thought that it was... and we are still very grateful to the wonderful actors from the

we continue the conversation, our guests are the agatha christie group , vadim samoilov and albert potapkin a locomotive, such a producer who would help you, push you , or do everything yourself, there has never been such a producer in our life who pushed, firstly, we wouldn’t have gotten along, because creative freedom has always been extremely important for us, that’s how it is with us. we had friends there, investors there, my friends, who thank you very much, who...

we continue the conversation, our guests are the agatha christie group , vadim samoilov and albert potapkin, and you had such a locomotive, such a producer who would help you, push you, or do it yourself, there has never been such a producer in our life who localized , firstly, we would not have gotten along, because for us it is extremely creative freedom has always been important, yeah, yeah, we had friends there, investors there, my friends, who, thank you very much, who... invested some money in our videos, helped, that was, but as for that , what to sing, how to sing, uh, how to record, we were always on our own, well , that is, there was such sverdlovsk self-sufficiency in each group, that is, no one ever used any services of producers, everyone was purposefully focused on their own business, yes that is, do you remember your first visit to moscow, performance in the program look, this is the first ray of glory, which , i remember that at first we performed with you, it was a big filming in false, yes bamuch, in friendship we also had some kind of festival, in the eighty- eighth year

department is vadim vasilyevich shverubovich. so on and so forth, but it all came together, like some kind of puzzle , how many times have you said it, it coincided, it came together, samoilovgood it is that you remembered samoyolov, because i don’t know much poetry, but i have david samoilov, because i... knew and was friends with, well, i was friends, i wasn’t friends, this is something said in a sarcastic way, but with zinna fimich gert, well, yes, who were wonderful, i ’m getting goosebumps now, she and samoilov were friends, samoilov was called dezik, yes, they knew something about each other, and i learned poetry thanks to samoilov, i thank him, because on one of his last evenings he was already leaving and katya gert, his daughter and mother made one big, big in the theater, it was his big creative evening, they carried him to the cross and he read something there, gert, now we’ve taken a break from tashkent , by the way, he read it and i went crazy, it’s clear that i don’t read like that, that is, let’s go to the city we’ve been to, we’ll leave our suitcases at the station for years, and i and what, yeah and that in vain he gave to passions. oh, how late i realized