and they wanted to take me to the vakhtang theater, because, firstly, there, uh, well, it doesn’t matterd they asked me remizova to stage an excerpt for me, and she staged an excerpt from chekhov, i played it and they accepted me, and the releases are also an associate vakhtang, that is, you understand, then she brought up everyone, she was a good director, a good actress. most importantly, she was an excellent teacher. age that, in short, with whom only i did not work. i do not even i will call everyone. they are all in their programs , everything is in theatrical programs and in the credits of films and, uh, the actors there are from smoktunovsky. this is in the cinema bondarchuk sergey fedorovich well, oleg yankovsky. yes, i, i can’t name everyone in the theater, adored yulia konstantinovna borisova, uh sisters, galya and larisa pashkova. e tselykovskaya, beauty. i also played performances by directors in films from eh konchalovsky to mikhalkov and in the theater from fomenko to peter, you know, i loved everyone, all the work with all of them was a real happiness for me. and i remembe

poster for the first performance staged in the vakhtange theater on whose order it turned into a newspaperrticle about a card den into a hilarious bofanata. full house ban tickets fly away critics rage at censorship. the performance closes stalin gives the go-ahead looked at her at least twice. so apparently he liked her. it brought the biggest income up to and went almost every day the actors played just for wear and tear and she was constantly with full halls of collaboration theaters and the bulgakov museum for the benefit of the viewer immersion in context, unexpected associations a new look on the well-known history of set design. it is just being born that changes right on the go, like the scene itself, which is unexpected for the actors. it turned out to be tilted in the spirit of futurism explains the soil is disappearing from under the feet, but people continue to live and even dance , they find new muscles, we develop adds alexandra ursulyak, balancing on his heels. the same zoya who set up a brothel . i never considered myself a modern woman. here's how to say it. here, i don’t