so i’m lucy, where i play, at the vakhtangov theater, and are you in the state theaters?ve everything for felomena, yes, yes, it’s not so simple in the theater in ahango, who is marcelo, well, who is you , well, that’s who you see, i see andrey ilyin, yes, he’s a wonderful artist, no, he’s a wonderful , magnificent artist, well, there should be one like that, uh, this is such a breed, red battler, yes, uh, marcelo, this is everything is of the same order, like a hero, he should be like sugar with honey, with livers, with candies and marshmallows, he was handsome, but a little less, he’s getting older... and you remember the legendary performance of the vakhtangov theater, where simonov played him, but i didn’t see the performance, and eduard de philippe was there. at this performance he said that this was the best performance, and killomena, who was there? lyudmila maksakova, what are you doing? you know, when eldar sanovich came to our graduation performance, i was removed from the role of the heroine, because i missed rehearsals there, behaved badly, i fell in love, the

a student of vakhtangov and the leading artist of his theater, boris shukin, himself staged performancesht in the vakhtangov studio at the theater. it’s so good that in 1939, a theater school was named after him. after the great patriotic war, it received the status of a higher educational institution. by the way, the voice of great victory, announcer yuri levitant several. for years i mastered speech techniques here. attention, says moscow. the quality of education in pike, as students affectionately call it, and this wildly irritates teachers, can really be judged by its graduates: mikhail ulyanov, olek strizhenov, alla dimidova, alexander shirvind, andrey mironov, natalya gundareva, sergey mokovetsky, alexander kolyagin, irina kubchenko, konstantin raikin, maria. maxim overin, victor dobronravov, directors, evgeny simonov, valery fokin, sergey ursulyak. recently in the courtyard of the simonov stage theater, a monument appeared: three figures that everyone recognizes: people's artists, the ussr and outstanding vakhtangovites, vasily lonovoy, vladimir etush and yuri yakovlev. all these

, and i chose, of course, my native vakhtangov theater, it seemed to me that they knew me therehat i had you in my arms everyone wore it, from yuri yakovlev to lonovoy, it was all... later, for many years i played only small roles, tiny, small , yes, yes, yes, for many years, i even thought about going into another theater, because they won’t give me anything here anyway, but in the end, when i managed to break through and prove, this is a very long way, three programs are not enough, but still i am incredibly grateful to vakhtangovsky for being my partners with whom... i played love were yuri vasilyevich yakovlev, vasily semyonovich lonovoy, it was absolute happiness, these are people who, despite their status, their stardom, yes, they were absolutely amazing partners, well , first of all, they are men, and you are a young girl, very pretty, who suddenly fell into their tentacle , why shouldn’t i love you? they introduced me because the play went on for a long time, and they introduced me, i they said that yuri vasilyevich sometimes forgets the text and if anything tells him th

graduating from the shukin theater institute, excellent student olezhka was not invited to join the vakhtangov theaters happily accepted into the staff theater of satire, and later the sovremennik theater, but vladimir ivanov did not let go of his student, and invited mademoiselle netuzh, his favorites, to the main role, he still gathered on one vakhtangov stage: aronov, zavyalov, grishaev. dubrovskaya. in fact, this is an absolutely unique moment. i ’ve been playing in this play for nineteen years now, but the most interesting thing is that in this jacket, vladimir vladimirovich ivanov played on the stage of the vakhtangovo theater for a year. before my birth in 1975, here you go, our life goes on and life goes on this jacket, interestingly, i was still in the uniform in which i started this performance in 2004, so actually i stayed, please, except that it stretches a little - a button, like that, allergies, afiskina ate, that’s it, i went. happiness, love, health! can you now, in the status of a teacher, when they are big stars, reprimand them? of course, we agreed with artur ivanov, this is the thi

was already studying at shchukinsky played serious roles already appeared on the stage of the vakhtangov theaterhailovich, they were also secretly in love with natasha varlivo, surely she knows about it more than once, let ’s do it now another short advertisement, immediately after this meeting, after 53 years all the brides and freytraeva will continue, on air today. on saturday. and if you want to find a girlfriend, then you need a dating site, the most important thing is to throw off about five years, he will throw off a five for yourself, you'll knock off a ten for yourself, what an interesting woman, it's strange to see your wife, your ex-wife, ksenia alferova, alexander makagon, by the way, i also saw you on this site, my advice to you, take a photo from our family album, the premiere apartment, on saturday on rtr. the floor is precious, the walls are shaking, big changes have come, in the new season with a new renovation, with a slight movement of the hand, we are making three different functional zones from this room, absolutely faceless, ideas are overflowing, we want to turn the radiat

inside the theater, these are mirrors in which, first of all, my teachers are reflected, in the vakhtangov theater where i would live, they told me, here, i read this floor. and olezhka inserted the piece of paper like that, i couldn’t believe my luck at all, and every time i now sit at this table and look in the mirror, i understand that my great teachers, our favorite actors, their images that they created, were reflected in it, so the theater , of course, is a magnifying glass, the theater is it’s such an irritant, it shouldn’t create conditions for you... to sleep, because there are people who say, okay, i’ll go and sleep for 2-3 hours, no, no, no, we don’t need such a theater, but the theater inside is the opportunity to grow, an actor becomes an actor only in the theater , of course, and there is an opportunity from performance to performance to look for, correct, find something, love shakespeare, my love has no bottom, and kindness is like the vastness of the sea, the more i spend, the more there is also a saying from shakespeare that suits me very well: let’s return to caesar, let’s get cl

entered boris evgenievich zakhary, the rector, vakhtangov’s favorite. finished and preferred the vakhtangov theater me that you have come to literature with new and new books, not only memoirs, but also books of different genres. yeah that's what it's for you, and what seems most important to you, memories or your original works, now i will combine two names, fomenko and lyubimov, fomenko and lyubimov, the theater, that is, the workshop of pyotr fomenko and the beloved taganka of yuri petrovich, differ from all other theaters in many ways, but most of all, of course, devotion to the word, for the beloved, the stage was a very important genre and poetry to the stage was very important the theater of the word the theater of verse, but that’s the whole point , probably my beloved theater glasha aksyonov will argue, because to name taganka only the theater of words is impossible, the theater on the taganka, the beloved is the theater of the multitude, this is the theater of the great crossroads. lyubimov seemed to indicate to those who did not know that theater is a crossroads, a crossroads of arts, th

the lessons and experience of great masters; the next 20 years of work on the stage of the vakhtangov theaterf a surgeon in the film. come on, oh, everything is done, oh, everything, so quickly, the main thing here is to take your hands in time so that you don’t bite off your finger. thank you doctor. when in the nineties of the last century, the wind of change blew everything away. that has been created for decades national culture, vladimir ivanov was puzzled by the original russian questions of what to do and how to live next, his wife, tatyana zakhava, the daughter of the first river. zahavy supported her husband’s decision to leave his acting career to focus on directing and teaching. when you go home after your performances, you want to sing, dance and love the whole world. what is your style, vladimir vladimirovich, where does this love of life come from? well, first of all, fonvizin once wrote that the calling of art is to compensate. the abundance of life, and when around, alas, the theater should shout hurray, when hurray, then it should say that alas , once upon a time one artist r

and the director of the evgeny vakhtangov theater, a member of the national assembly committee, are what it is so important, so amazing magical professions, and i will talk now specifically about magic, because these people create the whole atmosphere into which we simply come and, as it were, draw and give. pauline, you know how to start an intrigue, yes, who are they, who are they, well, if polina started an intrigue, i’ll wrap it up. so, costume designer, sofya solovyova, city of moscow, winner in competency, sound designer almas solipov, city of magnitogorsk, winner in competency, graphic designer, dmitry opaliev, st. petersburg, and the last winner in our block is this. make-up artist daria nepomnyashchikh, yekaterinburg, congratulations guys, we wish you success, may you be lucky, channel one, with the support of roscosmos, held a unique event, playing a challenge among the audience of the film, a visit to the cosmonaut training center, a trip to baikonor, a dream still there is no need to fly into space... some winners went to the star city, while others saw the launch of the

dubrovskaya, kiril pirogov, vladimir vladimirovich, professor of the boris shchyukin theater institute at the vakhtangov director, the creator of any theatrical miracle, plasticine artists are in the hands of a master, by the way, these are graduates of the theater... the shchukin institute, their graduation performance, warsaw melody , was staged under the sensitive leadership of vladimir vladimirovich ivanov. he has served the theater on stage behind the scenes for 50 years. gardens are disappearing, it is imperative that the gardens sound, otherwise it, it is in context, it turns out that the most important thing, which means there is a road there, don’t you think, vladimir vladimirovich, that there are a lot of artists now, shouldn’t there be a moratorium on their production? it’s necessary, and maybe this should have been done quite a long time ago, you know, like in those very soviet times, education, as you know, was free and acting education too, but nevertheless, when they said that you know, let’s do it ourselves, with our own labor earn money, now we earn money with our labor. the courses hav

entered boris evgenievich zahavi, the rector, vakhtangov’s favorite, graduated and preferred the vakhtangov theaterour guest today is theater and film actor and writer borisovich smekhov. it seems to me that you have finally come to literature, new and new books, not only memories, but also books of different genres, yes, that’s what it is for you, and what seems most important to you, memories, or your original works, now i will combine two names, fomenko and lyubimov, fomenko and lyubimov, theater, that is, a workshop. stramenko and taganka by yuri petrovich lyubimov differ from all other theaters in many ways, but most of all, of course, in their devotion to the word, for the beloved prose on the stage, that was a very important genre and poetry on the stage, very important, the theater of the word, the theater of verse, and in this... the whole point is probably my favorite theater, glasha aksyonova will argue, because it is impossible to call taganka only a theater of words, the taganka theater beloved is the theater of the multitude, this is the theater of the great crossroads, lyubimov, as i

evgenievich zakhava, the rector, vakhtangov’s favorite, he graduated and preferred vakhtangov, the performance theater you, a memory, or your original ones, now, now i’ll combine two names, fomenko and lyubimov, fomenko and lyubimov, the theater, that is, the workshop of pyotr fomenko and taganka yuri petrovich lyubimy are different from everyone else other theaters, much more, but most of all, of course. devotion to in a word, for my beloved prose on stage was a very important genre, and poetry on stage was very important, theater of words, theater of verse, yes, that ’s the whole point, probably my favorite theaters...

dubrovskaya, kiril pirogov , vladimir vladimirovich, professor of the boris shukin theater institute, at the vakhtangovon stage, but this is unfair, the director, the creator of the creator of any theatrical miracle, artists, plasticine in the hands of the master, by the way, these are graduates of the shchyukin theater institute, their diploma performance , the warsaw melody, was staged under the sensitive leadership of vladimir vladimirovich ivanov, he has been serving the theater on stage after stage for 50 years, the gardens are disappearing, it is imperative that the gardens fade away, otherwise she. it turns out in context that the most important thing is to give a way there, one, three from god, don’t you think , vladimir vladimirovich, that there are a lot of artists now, isn’t it necessary to introduce a moratorium on their production, it is necessary, and maybe it is necessary should have been done quite a long time ago, you know, like in those very soviet times, and education, as you know, was free, and acting education too, but nevertheless, when they said that you know, let’s earn money ou

and the tour of the legendary vakhtangov theater, as in grozny they welcome mademoiselle netouche.a strict teacher, yes, why is it funny for you all, because i’m sad, and what’s in the black box, we found out that putin chose not to voice it, then he will tell you, soon you will find out everything, we will see, we will show more than others, all this is becoming more and more interesting and more interesting, moscow, the kremlin, putin, we look at rtr today, we look, love is when you look in one direction, look, look, look, if you want to look, look. let's look, look, well, look at the screen, look, take it out of me , look, look, sign the agreement, we sign at the same time for one, two, three, sign , look, look, maybe we'll go to my place, just watch a movie, there are places that they fascinate because they are part of the cultural code, because they contain power, beauty and history, conquer, the squad is ready! explore nature, dear mother, it’s simply incredible beauty, you already understand what the vietnamese’s favorite means of transportation is, there are 10 million mope

and alexey guskov play the main roles in anatoly shuliev's play amadeus on the stage of the vakhtangov theaterraphic exhibition in half a century to mark the 150th anniversary of the birth of alexei shusev. the exhibition includes graphic sheets, documents, photographs, architectural models buildings, memorial items that will allow you to look at alexey shusev not only as an outstanding zodchev, but also as a scientist, restorer, founder and first director of the museum of architecture, the all-russian museum of decorative arts for the anniversary of the architect presents an exhibition-installation composed by the architect shusev, in which you can see early sketches, a collection of fabrics, models of temples with fragments of paintings and unique exhibits. he worked with many clients, including the imperial family, the richest noble families of russia. and a significant number of buildings that shusiv built before the revolution were temple buildings. you can see five of them at our exhibition. we talk about shusev, first of all, as a soviet architect, we are used to calling him that. and t

time, again we won’t go away, but we’ll indicate that it’s not man, then the theater, there is haideburg, tairov, vakhtangov the judgment was an amazing time, it was taganka, after all , an amateur, but she synthesized it all, so twisted it, so tied it up that it was a hit, as my students say, they say, it hit me, it hit millions of people, respecting the mode of the podcast, i’ll shorten it and answer, i didn’t succeed at the very beginning, i ... with honors, at first for the second year i was, as they call it, a non-auditioner, a volunteer listener, but in the middle of the second year etuzh demanded that i returned and i and sasha zbruev, my classmate, who was also deprived of certificates after the first year, were also too smart, but, probably not, something else, everyone, well, actually everyone was too... and you and i, the shchukin school is ending, and i choose, not only according to my taste, but according to the taste of that new russian literature, prose, which i endlessly loved.

language, with another on the other hand, those stories that are told in this language, the vakhtangov theateropened, where you can see about 200 works of the 18th-19th centuries from the vygov old believer hermitage, the largest spiritual and cultural center of pomerania. the exhibition includes icons, handwritten books, religious objects. on the same day , the hermitage days in serbia open for the first time in belgrade. in the exhibition halls of the national museum of serbia , two exhibitions will be presented at once - royal porcelain and invisible art. and the stage. national theater of belgrade will host a hola concert by artists of the leonid jacobson ballet theater. the program includes fragments of the theater's best productions. the concert is dedicated to the centenary of serbian ballet. the royal theater lamont of brussels is broadcasting bernard facrolle's opera casandre, which premiered on the 14th september. the main character sandra, an expert on the mystery of ice, is trying to convey her environmental concerns to listeners by performing in the stand-up genre. musical directo

on the new stage of the vakhtangov theater, maxim sevrinovsky plays the main role in the play by svetlanaopment of the artist’s plastic language. many of the works are being exhibited to the general public for the first time. the thirty international theater festival baltic house is continued by the indian cinema company with a performance of nothing like nalira based on shakespeare's tragedy , directed by rajat kapoor. the comedian's shelter theater... presents a new version of the play time and the conway family based on the play by john boynton priestley, directed by alexander bargman. like any beautiful play, it speaks of human reflection, of a person’s relationship with the time of life that is allocated to him, how to deal with this time, how to withstand the unbearable and impossible conditions that life offers, how to be clear before one’s own conscience. understanding that there is always a choice, and that a transition to some dark side is always possible, how to predict all this, be sensitive to yourself in time. the kusbas museum of fine arts is hosting the triveka exhibition

professionals in their field, and who taught chekhov to mikhail, he and vakhtangov were closest friends, they were also at the art theaterthink that there are so-called ... bars that, well, god taught him, he plays, of course, there are, crazy, talented people who are gifted in this way , that well, in general, they have nothing necessary, but i’ll give you, again, an approximate quote from ostrovsky, about neznamov, who is an actor in a provincial theater, they say about him: yes, he’s not bad, but the education is not enough, it would be necessary to study, so what else, without what, from the questions today's named ones, without which we cannot do without upbringing and without education, i want to ask you, because there are definitely two schools, and you belong, as i understand it, to one of the other, this is stanislavsky, and this is certainly vakhtangov, but to me i may be misunderstanding that stanislavsky... it comes from the soul, for him talent is the soul, for performance, but they say that vakhtangov is the opposite, it all starts with acting, with performance, and then it all goes into my soul, vakhtangov

people , stanislavsky and nemirovich danchenko came up with a public art theater, for which chekhov, gorky, bulgakov wrote, where vakhtangovd those on stage. and those who were behind, with a general council , formed a repertoire where they played so that it was impossible not to believe, i watched tabakov, he didn’t have to prepare, the stage was straight away went out, and inakenty took a long time to get ready, inakenty mikhailovich rode a trolleybus, and in the winter he came one day very upset, as if getting into a crowded trolleybus, his winter hat was torn off, and he cried, he says, well, how am i without a hat, this you enter the stage, at that time behind you are the stage, all the artists who... have already gone to see it and it’s like that, it’s an elusive feeling, but it’s present, you know, how brownies live in the house. in the thaw times, the mkhatovites themselves called oleg efremov from a contemporary, who returned the theater and glory, and then he passed the baton to oleg tobakov, who removed the academic one from the name and made the moscow art theater the most profitable and again the most popular