the one hand, it combined, on the one hand, what was so characteristic of the first generation of vaktanget’s say, from the role of tortali in princess turandot in this... exiles with whom ties were severed, wow, irony, joke, prank, fun conquering death, destruction, despair and so on and so forth, this is the line that was and who lived, on the other hand, there is this type of actor, which he probably belonged to, cannot play episodic roles; if he is on stage, he should be the first. at the same time with amazing playfulness, gaiety, sarcasm, irony and so on. this, it seems to me, is the best thing that happened in the oktankovsky theater in the twenties and thirties. evgeniy vladimirovich, do you think that the students who are applicants to your institute, who dream of studying there, do they know well the person whose name the institute bears? of course, who is boris vasilyevich shchyukin, they don’t they know little about this man. written and little is known, except for these photographs that we showed, and probably also a photograph of vladimir ilyevich lenin, which he played, wil

important here, like the question of why he came to this role, after all, from his generation of vaktang stood out for the role of yegor boluchev, maybe that’s also why it coincided with him so much, that after all, he was apparently not a very healthy person. and even at the age of 40, as those who saw him say that this topic of death, in general, he also studied quite early in his death, he is already, so to speak, not an old man there ancient, she already lived in him, this feeling, so to speak, of ill health and , moreover, of power, he played in baluchev in such a way that he really defeated the play, which nimirovich danchenko later staged and less successfully than... the vaktangovsky performance theater and he immediately became the first artist of the vaktang theater, then a man with a gun, then these two films and an absolutely untimely, of course, death, i want to say again, at 40 at the peak of glory, absolute, then, so to speak, it’s even difficult to imagine how he could develop and in general, but in general, this illness of his, it will acquire... it’s just like this, eit

on the one hand, it combined what... was characteristic of the first generation of vaktang members, andaktang, grotesque and... irony, sarcasm, those roles that, well, starting with there, for example, with the role of tortali in princess torandot, in this legendary performance, he was busy, but at the same time, very often the philosophy of turandot is reduced to such skittish, stupid playfulness, which was present in it, but behind which stood zavadsky’s powerful philosophical worldview, twenty-second year, the civil war had just happened. ended or ended, there was no family in which, so to speak, there were no killed, wounded, arrested, deported, with whom ties were severed, this is cartaglia, yes, irony, a joke, a practical joke, fun that conquers death, devastation, despair and so on and so forth, this is the line that existed and which lived in shchyukin, on the other hand, there is this... type of actors who, probably, he belonged to him, they cannot play episodic roles, if he is on stage, he should be the first, yegor boluchev, lenin, yes, the main one, he cannot be, secondary t

the first generation, this wonderful theatricality inherited from vaktang, grotesque, irony, sarcasmit were, to such a skittish stupid playfulness, which was present in it, but behind which stood the powerful philosophical worldview of zavadsky, twenty-second year, the civil war had just ended or was ending, there was no family in which so to speak, there were no killed, wounded, arrested, deported, with whom ties were severed, so... yes, this is irony, a joke, a practical joke, fun that conquers death, devastation, despair, and so on and so forth, this is the line , which was and which... is not can play episodic roles, if he is on stage, he should be the first, yegor boluchev, lenin, yes, the main one, he cannot be, secondary to the stage, he seems to overshadow this, maybe there was some kind of jealousy behind this actors of his generation. you suddenly saw how one of them jerked so high and deep, and this combination of a person immersed in almost such an early moscow art theater naturalism, at the same time with amazing playfulness, gaiety, sarcasm, irony and so on, this, it se

members, and not only to the first generation, this is a marvelous theatricality inherited from vaktangced to... such a skittish stupid playfulness, which was present in it, but behind which stood zavadsky’s powerful philosophical worldview, twenty-second year, the civil war had just ended or was ending, there was no family in which, so to speak, there were no killed, wounded, arrested, expelled, with whom ties were severed, this is the irony, the noise... the scene, it’s like would overshadow this, maybe behind this there was some kind of jealousy of the vaktankov actors of his generation, who suddenly saw how one of them rushed so high and deep, and this combination of a person immersed in almost such an early moscow art theater naturalism, at the same time with amazing playfulness, gaiety, sarcasm, irony and so on, they know well the person whose name the institute at your institute, who dream of studying there, is, of course, who boris vasilyevich shchukin is, they don’t know, little has been written about this person and little is known, except for those photographs that we showed,

a very it’s also important to ask why he... came to this role, after all, from his generation of vaktang boluchev, maybe that’s also why it coincided with him so much, that after all he he was, apparently, not a very healthy man, and even at the age of 40, as those who saw him say, this topic of death, in general, the pain of studying is also a rather early death, so to speak, he is not an ancient old man, easier yes... untimely, of course, death, i want to say again, at the pinnacle of absolute glory, further, so to speak, it’s even difficult to imagine how it could develop, but in general? but in general, this is his illness, it’s acquired, because when the revolution happened, he came to moscow around these years, returned from koshira, i can’t tell you the exact dates now, he lived in the poveletskaya area, in the studio he walked to mansurovsky lane, he had to work during the day to earn a living, because he had to pay for the studio, it’s also not free. i complained to my comrades that i didn’t care because he had nowhere to go, and he felt, i felt bad, his comrades, they even call