vaktangites, and not only to the first generation, this is a marvelous theatricality inherited from vaktangn princess turandot in this legendary performance, he was busy, but at the same time, very often turondot reduces philosophy to a kind of skittish stupid playfulness, which was present in it, but behind which stood the powerful philosophical worldview of zavadsky, twenty-second year, the civil war had just ended or was ending, there was no family in which, so to speak, was. he, if on stage, he should be the first, yegor boluchev, lenin, yes, the main one, he cannot be secondary on the stage, he seems to obscure this, maybe there was some kind of jealousy behind this and the jealousy of his actors generations who suddenly saw how one of them rushed so high and deep, and this is the combination of a person immersed in... almost in this - early mkhatovsky.