patrick valance says the lesson is to go | valance says the lesson is to go faster, harderthan valanceography. the scientifical epidemiological advice, mrjohnson, was, there may be risks but in the general epidemiological context, the advice is, you have to go the extra mile. that therefore would mean a circuit breaker as opposed to local restrictions on varying degrees of stringent restrictions being applied. but your position was, well, ultimately, i do not think the epidemiological argument is made out, i want to take argument is made out, i want to take a different path and of course circuit breakers were not applied. i want to try to remind everybody of the context when we are coming out of the first lockdown. what is happening is the disease is very to lease bread, shall i say? over the country. there are parts of the uk where it is barely present. some places sadly, leicester and parts of the northwest work. they barely came out of restrictions throughout the time, throughout 2020. the question would have been, do we continue with national measures the whole time, which would ha

at one of them, mr cummings says he turned to him and said, why aren't hancock, witty and valance telling know. _ alluding... i was looking with, you know, dismay at what was happening, this may— know, dismay at what was happening, this may about what we were going to have to _ this may about what we were going to have to do _ this may about what we were going to have to do and reflecting that this was not _ have to do and reflecting that this was not the message that i... i am conjecturing. — was not the message that i... i am conjecturing, this is not what i heard — conjecturing, this is not what i heard over— conjecturing, this is not what i heard over the past few days. you don't recall? _ heard over the past few days. you don't recall? i— heard over the past few days. you don't recall? i don't _ heard over the past few days. you don't recall? i don't recall - heard over the past few days. you don't recall? i don't recall sayingl don't recall? i don't recall saying that. 183 889. _ don't recall? i don't recall saying that. 183 889. this _ don't recall? i don't recall saying that. 185

of course professionalism , i tried, and i liked it in the video, most of all in the concert the valancen, he did it with such a calm face, maryana, i will definitely tell him about this, please tell him, now i have a question for you, anna marijana. how do you think dobrush got into hollywood and even became one of the american states? shtattov, i just wanted to connect this somehow with the dobruzhsk factory or porcelain or paper, i don’t know, i agree with the answer, either paper or porcelain, both a big rich history, hollywood is film production, and in cinema it is very common to hit a plate on the camera when they start filming, maybe the doroga plate was broken after all, but... i accept your answer options, and now i’m revealing the intrigue, incredible, but such an interesting story happened here, with the light hand of hollywood filmmakers, the belarusian city of dobruz easily fit into the film and even became part of the american states, we are talking about the film the misanthrope, it was released on belarusian screens in april of this year, and an amazing story residents o

let's celebrate our anniversary. the president's fund, the international and valancer zeinasty, and thery searching work of the young patryotau. seleta memorials from the sonorous gymnasium are known as hell in minsk. the gymnasium museum is a treasure trove of historical academics and the father of the institution itself. here you will find the key that opens the gates of the house. yashche the first desk and the raryte photos of the haze. dasyagnennym here ganarazza i transfer to the right place. the day of the sun is falling in the new year on saturday and the dawn of the gymnasium, so that in such a dense atmosphere we can begin the new 41 years of the history of the house. aliaksandra goytan, karyna gurevich and anatol dalatovski, agency. cultural projects of the night city of russia for the belarusian gathering, the international festival of dances of petsyarburg and minsk, presented concerts, exhibitions, round steels and maystar classes. and egor, and this is such a collaboration, we use puppet elements in the performance, it is also a one-man show, that is, on for an hour there

where will he go, lie, sooner or later it will be. that this is not an ambush, this is some kind of valancet scared, but what did i do? this is me warming up before the board, before hide and seek, come on, show us your class, come on, so you know, except for gnezdilov, no one knows how to hide like me, in what, i’m afraid, as if gnezdilov didn’t ruin anything, don’t be afraid, lesh, hey, hello, what kind of moronic jokes, max, pay attention to the screen. i see, i see, i’m from the police, where are you going, where are you going, quietly, answer one question, sit tight. oops, the effect on alexey, well, you said, sit on your health, yeah, who is the customer, if i tell you, i’ll be free, no, so what? lesha, you can come out, the sniper is working, hide, i wanted to be there. or stop, or just wait here, i'm in i’ll look at the typewriter, come on, the keys to the apartment, or what? guests come in the morning, here they act wisely, now it doesn’t seem to be in the morning, but we ’ll come in anyway. igor, tie up the corpse truck, yeah, huh? wow, interesting, the girls are dancing, well, ye