yours had a young director valera shegeleichik. the most difficult score is very difficult. with the directors of this performance in minsk and , of course, it was surprising for me that the guys took up such a difficult material and did it, i must say, very convincingly many theaters refused because they simply could not cope. this is the first. second uh, this educator has a belarusian light. the fact is that the mother about whom this performance is told stands a monument in belarus. and we did this story with alexander pantykin. it was 20 years ago. we are with him. well, for obvious reasons , thank god, they didn’t sniff wars, what is called , and we assumed what happened to us if we were these very brothers musicians who are the main characters in our play, and right there with the trumpet violin. i myself am a flutist by my first education. we would go there to make it happen, to make us feel. not a documentary, actually. we are the remnants of a fictitious performance supplemented by the chronicles and the peaks of the poet among the front-line soldiers. a palm alley