fairy tale, a myth, and so at the entrance to the village in valerianovo, a real forest sorceress valerian fairyred, recognizable strong figures from the eve can be seen throughout belarus, hand-carved stolbtsy brest and braslav zaslavl soligorsk vitebskoy minsk social networks selfies that people take near these works are inundated. and recently the virtual space. the author found plagiarism this art object. in fact, he was supposed to be in brest, since, uh, brest, the sign of brest is a bow. and the arrow he got here attracts a fairly large number of spectators. here , on the internet pages, i noticed that some eccentric took it on tiktok and appropriated it as his own work, of course, it was not entirely pleasant , but nevertheless, some kind of additional advertising for their transformers of the economy creates brake pads and even simpanok helicopter engines from used gearboxes of automobile disks. this is the name of the style in which the master works in the direction of arts and crafts . it originated in the 19th century. and they gradually transferred it to the subculture that was rele

unleashing the edge with history, pointing to myths according to the data of the royal valerian fishing rod uruk. twisted fairyn or the national airport for those who arrive and for taya kirunok, showing the baron's house in its own way is very interesting perception. this is a lot of work. observance of material culture is obligatory baron munchausen epoch yes camisole tashka, saber here are the spurs necessarily boots unusually but it all must be e look in line. from a modern interpretation, here are modern materials, so the task is not very simple , it costs all sorts of, as it were, to recreate the era with screws and bolts. well, probably you need to work hard to work hard on this leftover right from yakim tsoi, the company's economy was born at the nineteenth stage, its shaved into the designer's income. here the art has a process of field waste from a procedural tape or six slats car rims on here helicopter mittens of the economy are recognized as leaving sculptures of drivers. now they know the risks of their auto. what am i, bridges? here we installed such an interesting sculpture here, i noticed that