misevich, tyshko, bartkevich, valery mulyavin, yashkin, valera, dzimeshka, sasha, our youth. of these nostalgic peaks were the bassist of the pesnyary, leanid tyshko, who captured the nicknames of all the artists of the pesnyary ensemble at the beginning of the 1970s. in the spring she burst out with undispelled charms, the father of the couple became filled with light wings of marama, and the very first ones. recording of the pesnyary ensemble, produced by the tv show and the former frequent pop revue belarusian dzyarzhaunay call the philharmonic “lyavonikha”. as many revues were called “lyavonikha”, then i would call them “lyavony”. of course, in this revue of lyavonik, the campaign’s kalekty’s would not be completely ineffective, but rather adva. you are my share, and i don’t regret it, i’m not small, and even worse than hell, the most flamboyant and artistic revulsion was lidzia karmalskaya mulyavina, the first wife of uladzimir mulyavina. it’s a pity on vyalik, you only get adzins. tyshko and misevich, and leanid tyshko in the collection of yakub kolas, who knows eight y