the front, and few people know about it knew, well, somehow, yes, this page of the life of vasili dmich polenovs somehow less known, he was quite. then young - first he went as a volunteer to the front, and then he also worked as a correspondent for the illustrated magazine bee, that is , a war correspondent, by and large, he spent several years as a war correspondent for this illustrated magazine bee - at the headquarters of the sovereign emperor, he served in rushubkom from already in the russian-turkish company , the russian-turkish company, when, as it were, the turkish-serbian one had already passed into russian-turkish, and there again we talked with... ourselves in the same headquarters was the grand duke alexander alexandrovich, who later became alexander ii, their good relations, perhaps, played some role later in the purchase, but they knew each other from childhood, because vera nikolaevna vaeikova, the widow of alexei vasilyevich vaeikov and babasha, the grandmother of the polenov children, she had a certain status as the widow of a hero of the war of the twelfth year and in general

this is the bride of vasily dmich polenov, natalya vasilyevna and kunchikova, they met in abramtsevo,ied in abramtsevo, this is the work by repinskaya, it was a gift - to the young couple for their wedding, then many other things, for example, works by korovin, works by isaak ilyech, lvitan, works by ivan shishkin, makovsky and so on, eh, in principle, it is really so, a very good collection that polenov collected either from gifts from his students. or artists also had such, there was such a tradition to exchange works they liked, that is, if they liked some works, they could exchange, but vasily dmitrievich polinov decided to buy the crow to support his student, but you can say, the star of this collection is the golden autumn of christ's patent, well, polenov himself painted it, no one gave it to him, and we compare landscapes today, you can say, when you arrive, when you look, has anything changed, over there is byokhova, by the way, i think you can see it. yes, this is exactly vekhva and there is also an old wooden church, this is before the construction, polenov built the church

if everything goes well, we will close in the primorsky art gallery also retrospectives of vasili dmich polenovfar east, you watched the podcast precious history, my name is ekaterina varkan. our guest today is natalia polenova, the great-granddaughter of the great russian artist vasily dmitrievitch polenov and the director of the polenov museum-reserve. this podcast is a must-read. i am glayana batnikova. today we are discussing andrei platonov, a great russian. it seems to me, one of the most important authors of russian literature, which is absolutely impossible to pass by, and it fits the name of your program very well, a must -read, if you haven't read plato,... then you basically don't understand anything about russian literature, right? well, i agree, but you know, when you chose this topic, i was a little surprised, because you are a hindu, a postmodernist, it seems to me that you work very cool with myths and some double meanings, when i found out that you wanted to talk about platonov, i was surprised, moreover, that you chose specifically the corpus of texts of military prose by plat