in our podcast, this is how it all began, my favorite story, natasha, you know, yes, how vasily dmikovich polenovstudent konstantin korovin, rode on boat along the oka, being in a cheerful, cheerful, witty mood, sailed past the hill, and polenov liked the hill so much that he said that he would like to put it here. estate and live, so to speak, in old age, admire the surroundings, initially, this is the most important thing that, in fact, vasil dmitovich invested in this whole grandiose construction project, in addition to building a house for convenient, comfortable housing, a large family in beautiful place, the idea of ​​enlightenment was laid down, well, the museum itself was there, then it was organized theater, schools, please tell me about these ideas of his besides the museum, but everything is true. from the very beginning he didn’t really want to live in moscow, he grew up, as you probably know, in karelia, near petrozavodsk, from early childhood he was attracted to nature, he was attracted to coniferous forests, and he really really loved these pine trees, coniferous forests , and he r

well, i want to say that, so to speak, opening this question, this is that already, when vasily dmikovich polenovabout this, well, there is a small story about how being at during their summer vacation in tsarskoye selo, the family went to the zoo and there four-year-old vasya sketched an elephant in a very outstanding way, his parents immediately noticed. behind him, so to speak, is talent, artistic talent, therefore, parents greatly developed the creative, creative orientation of their children, and mother maria alekseevna, the daughter of alexei vasilyevich and vaeikova and vera nikolaevna vaeikova, the granddaughter of the architect lvov, succeeded here first of all, as you understand, in those days a woman did not work and could not , so to speak, to participate in public life, was involved in raising children, but... the husband knew karl brilov well, so in general they exchanged opinions in every possible way with the creative intelligentsia, so vasily dminovich polinov from early childhood, his parents encouraged him very much, during his travels his parents suggested that he also sketch,

well, i want to say that, so to speak, opening this question, this is that already when vasily dmikovich polenovalent, to talk about it, well , there is a small story that - while on a summer holiday in tsarskoye selo, the family went to the zoo and there four-year-old vasya sketched an elephant in a very outstanding way, uh, his parents immediately noticed him, so to speak, talent, artistic talent, so my parents really developed a creative, artistic orientation. such a moldovan artist, plus her husband knew karl brelov well, so in general they exchanged opinions in every possible way, with the creative intelligentsia, so vasily dmitrievich polenov from early childhood, his parents encouraged him very much, while traveling, his parents also suggested that he sketch, well, plus, of course, they always brought with... a crocodile, so you come to our museum and see a small tiny crocodile, from where this crocodile is my favorite crocodile, well, great, it’s not only your favorite. the crocodile is also the favorite crocodile of all our children's groups, and this is unexpected, yes, well, that's wh

on lermontov’s poem desire, why am i not a bird, not a steppe raven, flying over me now, vasily dmikovich polenovaw this picture just at a traveling exhibition, and knew that viktor mikhailovich vasnetsov, his student, will definitely give it to him, well, he really liked it, he paid attention to this canvas, but at the same time he seemed to wait for viktor mikhailovich. didn't find out about it and bought this painting because he said that the highest praise for a student will be that the teacher purchased his work, viktor mikhailovich vasnetsov said this when he finally found out that polenov bought this work, yes, there really is a collection of the polenov museum, it consists of, many things were donated, for example, there is such a picture, abramtsev ilya efim cherepin, it is depicted there. the collection that polenov collected either from gifts from his students, or even artists had such, there was such a tradition of exchanging works they liked, that is, if they liked some works, they could change, but vasily dmirievich polenov decided to buy a crow to support his student, but one can s

today in our podcast, this is how it all began, my favorite story, natasha, you know, like vasily dmikovich polenovly captivated vasily dmitrievich, for what reasons? well , it seems to me that there is a combination of reasons: firstly, first of all, polenov did not really want to live in moscow from the very beginning; he grew up, as you probably know, in karelia, near petrozavodsk, from early childhood, he was attracted to nature, he was attracted to the coniferous forest, and he really really loved... these very pine trees, coniferous forests, and he really wanted to live somewhere far from the big city, but to his main idea of ​​​​enlightenment in the russian province , he came much later, having already settled in polenovo, initially he just wanted to be in nature, and of course tarusa played a big role in the fact that vasily dmitovich settled in these places, because ivan’s family had already settled in tarusa. he was captivated, he told his wife about how good it was there, and his wife natalya vasilyevna also writes in letters that is it really possible that the dream of staying in byokho

depicts the nile, and also... it’s not there here in this smaller , shortened version, but vasily dmikovich polenove traveler, a passionate collector, a wonderful artist, he was such a man of renaissance scope and an intellectual, he spoke six languages, he had a huge library, he himself read the goethas, schiller in the originals, translated and so on, and of course, having found himself in the twenties at the end... to say that he was already almost 80 years old when he painted this diorama, this is a whole cycle of pictures of a trip around the world, united by the plot of a trip around the world travel, the point is that we are leaving from polenov. and we return back to polenovo, in 15-20 minutes, well now in 15-20 minutes, here we have naples, vesuvius and so on, in 15-20 minutes we see the whole world, we will visit america, america, in latin america, in china, in european countries, in turkey, we will sail to the black sea and so on, we will see all this, and then again we return to polenovo to the hearth, to the performance on... when polenov showed his diorama, it certainly wasn't 15 minu