uh , to vasily vladimirsky and m-m, let's talk about art. or rather, literature. in art, or what is inside of us, and if that's briefly, somewhere there is a point where it starts. e hmm modern san-fiction. of course, one can say that plato had fantasy in atlantis, and in and in the lands and lukyan from samosata and daniel defoe, and where in russian literature prince doysky udostoyevsky gave me a funny man, but still, here is the twentieth century, as far as it is the fantasy of the twentieth century depended on real discoveries, because in parallel there were frosts of balche tsiolkovsky. those who have already directly said that m-m gentlemen, it is possible, it is possible, as it all began in literature. well, you know, why did you start with the classics practically, in the sense of the word in which they, in general, here the word is used by the classics of antiquity, and uh, the authors of the new time, the authors of the xix century. they generally did. it seems to me a certain vector. and e space for the writers of that period of that era of those eras -

e to vasily vladimirsky and hmm let's talk about art. or rather, literature. still, the cosmos is what is around us or what is in art or what is inside of us, and if here is briefly still somewhere the point where e, modern sans fishing starts, of course you can to say that plato had fantasy in atlantis and in st. petersburg and in the blood and lukyan from samosata and daniel defoe and where in russian literature prince odoevsky has dostoevsky's old funny man, but still, here is the 20th century, how much science fiction depends on it the 20th century depended on real discoveries, because there were frosts in parallel. balchevich, tsiolkovsky those who have already directly said that, gentlemen - it is possible, it is possible, as it all began in literature. well, you know, here's what you started with the classics in almost the same sense the words in which they are generally used are the classics of antiquity a and e, the authors of the new time, the authors of the 19th and 18th centuries. they generally did. it seems to me a certain vector. and e space for

klimentov, the main custodian, deputy director of the museum of cosmonautics, and this is vasily andreevich vladimirskyder of the award for the best science fiction work, the award is called new horizons. hello, the most important thing. it seems to me that e cosmos is something decorated with a root, because the same as that of cosmetics, we are forget. but it is so, despite this. uh, superficial, like the meaning of the word cosmetics. this is a means of decoration among the greeks. chaos was undecorated space, not orderly, dark and incomprehensible, and the cosmos was that which was decorated, ordered , divided into rubrics, and divided into stars into comets into rays, probably, there was some great meaning in this and let's start a conversation, of course. from the cosmonaut, of course, from the legendary oleg novitsky. how did it happen that you became an astronaut and did literature play any role here, maybe scientific fantasy, maybe ivan efremov, maybe something else and really. from childhood, i was always attracted, probably, by some open spaces, because somewhere up to the eighth grade of hi