in 1844 he painted approach to venice.ture is only incidentally about the boating party making their way into the city. turner's interest is in suffusing water and sky with color at twilight and capturing its effect on the distant city's skyline. ruskin was spellbound by its beauty. (ruskin) "it was, i think, when i first saw it... the most perfectly beautiful piece of color of all that i have seen produced by human hands." (narrator) shade and darkness - evening of the deluge, painted in 1843, is more about light than a biblical account of noah and the ark. turner's light produces a mystical bent that shows up in several late canvases. layer after layer of pigment, applied to create the vortex of mist and air churning angrily around the blinding light, conjures up the elemental forces of the cosmos. the abstract beauty of turner's late canvases that dissolve into light are especially apparent in some of his unfinished paintings like norham castle, sunrise. returning to a subject he had painted years earlier, he advanced h

you know, it troubles me 80 to drive by this property and it is a large anchor to venice after it will generate more jobs and activity and we need those. i think we should move forward and let those people take care of people. as far as the parking i would join my commissioners and allow the garage to be used for public parking during the night. we're battling on every item and have a garage area that's a waste of money and time and a concrete. i don't know if we want to have that sometime after construction but we can use it >> i'm also in support for the public parking we should put it in the motion. i want to address section 2.2 also supportive of the pay schedule and the motion to asks for the entire document be addressed to the local. i want to ask the city attorney the fact that it says may that any non-material changes maybe go to the commission what did that mean? >> i may not agree that's a clear intent here. so i list all those people saying they maybe agreed to and people have to agree to it but - >> to be clear than ever non-material change has to be brought to the board. >

he took three buses and hitchhiked, making it to my old frame house in venice. i said, why are you here? he said i was in a car and we did drive by and i don't know what to do. you said you would always be there for me. there's the answer and the question. how are we always going to be there for bobby. how are we going to help young people at risk, people who are active, to build new identities? we begin with tattoo removal, legal expunged and and we work on attachment. every individual who wants to avoid being in a gang, who wants to leave the game, they need a role model and mentor, they need someone to be there. there is no single type of person. we need it the merging of former gang members, prosecutors and social workers and public defenders. you have all had that kid. he needs role models, job training, and real jobs. i was happy to hear that in the video, nothing stops the bullet like a job. we need to provide that. bobbie ann smiley did not ask for their fates. a young woman i worked with, who has five children and has been a member of valencia 13, and f

that's exactly what happened when scott flora, founder of blik, a wall decal can company that calls veniceome, first stopped by their offices. >> so scott came into the studio and instantly flipped out. we showed him our aesthetic. it sparked his creativity. he fed back into us and said i would like to give you the tools to print wall decals on vinyl and set up a licensing deal quickly so it didn't cost us any overhead to do. >> to be honest not that many people happen to be just walking by. more happens when sam and ryland take their products on the road. and they learned early on that no matter where they were, they had to keep the same attention to detail. >> so our first trade show was in new orleans. we had a 10x10 cubicle with cloth walls and we set it up and showed our ten designs of wrapping paper and they were pinned to the walls and everything. we didn't sell all that much. >> why not? well, trade shows are crowded with tons of people and companies vying for the attention of buyers. jen billick, founder of the stationery company, knock-knock has been a mentor and she says that to

travellers once called the city of venice of the south.who comes to kill us and destroy our country and good before we said it the americans but the americans have gone and now my general so who else is continuing the job. that nobody knows of there's no work in the situation is unlivable i say yes it was better before. conversely if we talk about security and civic respect we can say it was a hundred percent better under saddam. today there's no respect for the citizens as if we were no longer men that's the truth that's honestly what i feel for ya. we are less and less respected before an iraqi could walk by this head held high anywhere in the world and especially at home as long as the state was not affected or undermined things have changed a lot i can tell you that the situation was much better before. the venice of the self was awash with detritus of all kinds half of the inhabitants are unemployed it's a humanitarian and social disaster area. here we have absolutely nothing. where we going but at that event in this oil rich country

if you go straight down western on venice, the whole plaza burned on fire.were calling 911, and there was no response. >> did the cops come at all? >> i was here all three days. i didn't see any cops. >> where did they set up their front line? >> rodeo drive. >> where did the forces of law and order set up their perimeter? koreatown was left to its own devices. the officials borders are third street on the north, olympic boulevard to the south, vermont avenue in the east, and western avenue to the west. that's three conveyor smiles left pretty much to burn or fend for itself. this rooftop quickly became the command post for rapidly improvised korean defense forces. they armed themselves, set up crude but effective command and control, communication and patrols. >> we weren't going around just slugging and capping people. all that was happening was just don't break down my store. making sure our parents, our uncles, our families, these stores, this town, stays alive. >> 58 people were killed. only a quarter of korean-owned businesses survived, either destroye

and which is seen here in the venice still life by peter from 1630. we also see very similar details between the still life with peter clay which was painted in 1629. the open pocket watches are references to the transient of life since they remind us of the passing of life. since they record perishable and paint as long as the canvas remains intact. the sublime light filters through the light and reflection on the inside of the glass as well as the optical effects of the objects that shine through the glass. while these still life paintings are filled with a variety of details, there are some still life's in the exhibition which are much more spare. such as adrian, from 1704. although much of this artist details are shrouded in history. notice how the branch and the beautifully rendered leaves catch the light on the right hand corner. it gives this piece a magical feeling as if these apricots are beyond just mere fruit. there are 67 paintings recognized by court's hand. an exhibition entirely devoted to the artist. there are about half of the known w

so if there's any need to tear up venice >> to know what we were doing the impact analysis we looked at the two variances but to do something in the future that's being proposed beyond we wouldn't have saw i think you're talking about future reasons to tear up the street. the city has a better understanding of what needs to be torn up >> and when we do the environmental review to look at what's being proposed and to coordinate. i want to make sure we coordinate. they said have to go to the fire and police. as well as they benefit from the california trance facility and they have permits >> so the question is after this is approved and it's going through it's being considered it would go through the process again? >> yes when they get closer to construction yes. >> i'll go ahead and make a motion we'll move to approve - should i just involve that move all the items. >> i have a list of what i think you want to do. what i have on my list is the basic changes to 8.2.2 the augmentation to the notice number 2 the changes around the delay payments and number 3 the common the document of 40

fightingl continue millimeter by millimeter, advancing and given the venice will of the future an opportunity. the government has to turn to violence. we are going to triumph. >> south korea is getting closer to a deal with north korea for a return of their workers. all the workers were ordered to leave the complex after pyongyang bend seveners from entering. the businesses are facing uncertainty. >> this is what remains for now of the factory. it was a multimillion-dollar business a few weeks ago employing 300 people, making uniforms and youyou tell the clothing -- and utility clothing. >> my shoulders feel heavy. my heart feels heavy as well. i'm convinced the company will be reborn. >> he is looking for factory space in suburban seoul. he could try myanmar. there were sustained by a diet of instant noodles. worry. told me, do not we will guard your factory well. do not worry and comeback. the sides tried to iron out last-minute demands for wages and taxes. the south korean government is promising to support the business. the company's one engagement for both countries for restarting the co

and which is seen here in the venice still life by peter from 1630.also see very similar details between the still life with peter clay which was painted in 1629. the open pocket watches are references to the transient of life since they remind us of the passing of life. since they record perishable and paint as long as the canvas remains intact. the sublime light filters through

. >> they have all flocked to venice to preview it. art collectors, museum curators, and critics. it has weathered plenty of tough economic times over its 118-year history, but today, it still one of the world's top exhibitions. >> an understanding of culture in the world -- i'm not bragging, but there's not really many other places you can do that. >> the curator is tasked with putting together a show that is contemporary, that does not follow the trends. he showcases both forgotten artists and up-and-coming talent. this year's event features 88 national pavilions, and for the first time, two countries are trading spaces. france and germany have swapped pavilions, just-in-time for the anniversary of the treaty of friendship. the most famous name on the list -- ai weiwei of china. >> we decided this year to portray germany as a cosmopolitan country. this year, things could be completely different. >> on saturday, our fans can see what this year's exhibition has to offer. >> the idea of cultural ambassadors representing their own countries in the national pavilions has become less

. >> they have all flocked to venice to preview it. art collectors, museum curators, and critics. it has weathered plenty of tough economic times over its 118-year history, but today, it still one of the world's top exhibitions. >> an understanding of culture in the world -- i'm not bragging, but there's not really many other places you can do that. >> the curator is tasked with putting together a show that is contemporary, that does not follow the trends. he showcases both forgotten artists and up-and-coming talent. this year's event features 88 national pavilions, and for the first time, two countries are trading spaces. france and germany have swapped pavilions, just-in-time for the anniversary of the treaty of friendship. the most famous name on the list -- ai weiwei of china. >> we decided this year to portray germany as a cosmopolitan country. this year, things could be completely different. >> on saturday, our fans can see what this year's exhibition has to offer. >> the idea of cultural ambassadors representing their own countries in the national pavilions has become less

three weeks later i was driving down venice and left on to broadway and the radio went on and strong arm robbery in pacific heights and woman assaulted and bag stolen and identified the car and two individuals and proceeding north on lawenna. gee, i am going in that direction. i have a naval aif eightor's eye and incredible eye sight and wouldn't you know it there is the vehicle coming straight towards me and the traffic was slow and could reach out and touch and i made a u turn and i got on the roo. the director of radio services had a call sign at the time and close to the police chiefs. i got on and called in and there was a pregnant pause. and they said "who are you sir?" and i said "i'm the director of emergency services" a "are you a police officer?" "no, i'm not" and do you have a gun? no, i don't. "you should be careful and don't approach that car" and "need help and he's making a left" and by the time we got to geary black and whites were all over the place and apprehended the person and i got a call from alex faigen who was the later the police chief. he was a friend of min

and seige of venice and up to the difficult stack of barrelly, but they come every day to learn it.hed it or danced as a child and never done it again. by the end of the week they're out there dancing. ♪ northerly, northerly ♪ ♪ to the fan ♪ springtime where you are ♪ and folws i the end >> the fella said are you going on vacation. i said i am going away. >> he said are you going any place nice? [laughter] >> i said no, i went some place nice last year. i'm going some place crap this year. [laughter] ♪ ♪ first time ♪ i next >> the are four sisters in the northwest of ireland. we've been coming over to america for the past couple of years. we play all over north america, like on the east coast, to the west coast. we have been coming on this cruise for the last couple of years. just such a good time. we really enjoy it. >> a singer so i think the four of us have strains of her voice in us. there is this thing with sibling a natural blend. the harmony just comes naturally. ♪ we met a strange man ♪ we never have better ^ ♪ no the glory oh to the man ♪ glory oh, to the to the man ♪ ♪ >>h

i went to gold's gym in venice. it's such an interesting culture. so dedicated and passionate.thing they think about the way they look. these characters came upset, if they were just a little bit more, a little more ripped. legs a little bit bigger. it was never enough. they didn't appreciate what they had. >> jimmy: the movie is called "pain & gain." mark wahlberg is here. we'll be right back. >> jimmy kimmel live concert series is brought to you by s y sony. ♪ ♪ ♪ [ male announcer ] get email that lets you share, organize and stay up-to-date like never before. when her sister dumped me. grandpa was my dad a good athlete? no. oh dad, you remember my friend alex? yeah. the one that had the work done... good to see you. where do we go when we die? the ground. who's your girlfriend? his name is chad. and that's where babies come from. [ male announcer ] sometimes being too transparent can be a bad thing. this looks good! [ male announcer ] but not with the oscar mayer deli fresh clear pack. it's what you see is what you get food. it's oscar mayer. it's what you see is what you ge

california. >> bill: venice, california.ny rock bands described that way. >> still do not hear many of those people. not anymore. isn't he -- the head of that guy, buried over in paris, isn't he? >> he is buried in paris. >> bill: i have been to his grave. it is a wonderful -- one of my favorite parts of paris actually. all kinds of famous people buried there. oscar wilde and jim morrison of the doors. >> decent company. >> bill: you see all of these young people there and flowers all over his grave. you know. every day. the pilgrimages of people there. i think he's still on lsd when he gave the interview. >> i think so. >> i heard an old rocker -- i won't mention who it is, last week he said can you remember when we used to take drugs because we wanted to? [ laughter ] is that okay? >> bill: anything goes. on the "full court press." yeah. so jim tell us about this race. michele bachmann if there's anybody that -- i think represents the worst of the republican party and the craziest, you know, who will say anything, it is mi

i was over brooklyn's giwanis canal, never to be confused with the canals of venice. i found myself staring at the biggest construction site in the most vibrantboro in new york a. giant whole foods in an amazing location. this store is to big, it's scary whole foods hats the forcytodevelop it. because the company -- the for cytodevelop it. after -- they are dead wrong, oddly, they can quadruple it. because they are getting incredibly clever where they place their stores, even if the new ones are near each other as in boston, no cannibalization as i can tell, brooklyn and boston are saying, come on, we'll foods, give us some more stores. or how about this? do you know how many people questioned the growth here just a year ago? how about how they thought the film division had lost its way with that horrific bomb it was a john carter. remember this disney's espn, some people thought they began to see a slowdown outrunning profits. you will hear bob iger ge the fantastic ceo, it would make your head spin. first they bought lucas films, aka star wars star wars as well as p