is still with us, this is an exhibition about women who are changing ahead of their time, yet vera mukhinae and for all changed theater scenery and costumes, another participant. exhibition esther shoop, looked through 60,000 m of tsarist newsreels, and then edited the material from various film archives, essentially laying the foundation for a new direction, documentary-historical cinema. varvara stepanova formed the school of textile design and constructivism in the country. and not afraid to remain in the shadow of her famous husband, she was his ally in all creative hooliganism. but without a good woman, men will not believe in themselves either, or they will believe too much. olga knyazeva, andrey lesnykh, natalya siidova and kristina neznanova. first! and that’s all for now, now a fashionable verdict is on the air. the final started in yekaterinburg russian cup. in swimming, on the first day four sets of medals were played, in the men's 200 m freestyle, martin malyutin, the silver medalist of the olympic games at 57, was out of competition.

varvara stepanova, olga roznova, alexandra, ekster, vera mukhina were called the amazons of the russiann museum offers its guests a slightly different perspective: a friend’s exhibition about artists who pursued their line in art in a feminine, soft way, with small creative steps, and illustrated children’s books , designed clothes, made films. their legacy surrounds us every day when we take out a skirt or a pencil from the closet. or watch documentaries, everything you know practically about modern book design, everything you know about modern fashion, everything you know about modern even computer design, color combinations of how a website page is built, they were generally invented then. if you want to understand even a little better what is happening now, you need to understand and know what happened then, 100 years ago. 100 years ago, the country, people needed a new concept of life in everything, from dishes, textiles to paintings on the walls. varvara stepanova would not mind having three rich people in soviet houses instead. this work of hers was hanging, six figures. the wife

with this we say goodbye to you, our dear viewers, so, we talked about vera ignatyevna mukhina, in ourtist, curator. thank you very much, dear friends. hello, this is the substance deception podcast, with you olesya nosova, editor-in-chief of komsomolskaya pravda, and with me my permanent presenter, zukhra pavlova, a famous endocrinologist. today we will talk about eating disorders , and since this topic is at the intersection of physiology and psychology, we invited a famous psychologist, a candidate of psychological sciences, to visit us . our body is structured in such a way that we feel physiological hunger, we eat, we feel satiety, we stop eating, and this is the basis of healthy eating behavior, so everything... where a person either feels hungry, but we start from exactly that place, ignores it, either doesn’t feel hunger, or doesn’t feel full and overeats, that’s how the basis of the disorders is precisely the failure of this perception of processes, sensations of hunger, sensations of satiety, and here comes a big the story is about the fact that you need to look in a special

, and we have two wonderful guests in the studio today: glasses, there is a version that it is vera mukhina who came up with this glass and thus the range of her creativity from the glass to this wonderful sculpture, tell me, is this true or not true, that this is the invention of vera mukhina, well, i think that this is not true, that is, it is categorically untrue, you know, there are different versions of what exactly vera mukhina did, but i want to say that i understand why this legend stuck to her, yes, because a great sculptor, a great artist, really very talented, she was in charge for a long time, she was the artistic director of the leningrad art glass factory, of course, from under her signature, after the artistic councils, a lot of things went into production, well, because the art director , as always, even now in the modern world , everything is also signed into production or sales. so there were probably glasses there, and glasses for water, for wine, and there are many stories about how she tested everything herself, even if, for example, they made a glass at the artistic co

are in the new third block on krymsky val, you can come and see the actual progress thoughts of vera mukhinad time to do it all, that is, it was still done in record time, extremely, you know, i myself participated in one here in 2015... from such expos, it’s terribly simple, and even i don’t understand, the gigantic experience of participation, they still start to get together and decide something in a few months. because, well, it’s kind of customary to see if the sculptor was checked, although the work was almost at random, he works on the model, makes the model and then it comes, the shapers come, they enlarge it eight times, here the model itself it was a meter or 95 cm, small, but you just had to increase it more than 20 times, and it’s kind of incomprehensible, you’re making a mistake , a millimeter mistake here, it can grow. it was such a process, well , that’s why i said luck, luck was with them, they did everything very well, everything came together and so on, then there were adventures when it all had to be taken to paris, and there was a whole train there with 28 cars filled, wh

we have gathered here to truly talk about the super wonderful, super wonderful woman vera mukhina, about the invention of vera mukhina? well, i think that this is not true, that is, it is categorically untrue. you know, there are different versions of exactly what it is. glasses for water, for wine, and there are many stories about how she tested everything herself, even if at the artistic council, for example, they were making a glass for wine, she said, let's pour it from the decanter , let's pour some water, let's try how convenient it is to sculpt from it , by the way, you can look, but specifically about the cut glass, it seems to me that it was some kind of journalistic canard, when there was a celebration of some anniversary of the creation of the cut glass production, it cost millions, so they took such a well-known object, financial situation worked as a janitor, this is not true, he did not work as a janitor, but the legend is beautiful, why deny it, i have a dream to erect a monument to platonov in the courtyard of the literary institute with a sweeping sweep, let him sweep aw

maybe vera mukhina? absolutely right. glass theme for 100.dinavia, the author of the best novel in this genre is awarded a glass key award. among the laureates are stig larson, peter hjoeg, jo nesber. well, the listed detective authors. detective. write letter 300. this work by nikolai koramzin began to be published in 1791 in moscow magazine. the full edition appeared only 10 years later, a letter from a russian traveler, bravo, write a letter for 200. a 2017 study found that people who use these icons in business emails are considered less competent by recipients than those who maintain a neutral tone. well, emoticons and other emojis, that’s right. having mixed up these very items, mrs. macarthur from agatha christie's novel 10 little indians accidentally sent her husband a letter intended for her lover, on the contrary, envelopes, you're right, rock in dots for 300, this country has a sixteen-kilometer border with spain. his first book of poems, predominantly in the scottish dialect, was published in 1786. burts, that's right, robert burt

geometry is still with us, this is an exhibition about women changing ahead of their time, while vera mukhina praised the new world through sculpture, alexandra exter changed theatrical scenery and costumes once and for all, another participant in the exhibition, esthershup, looked through it. historical cinema, varvara stepanova formed the school of textile design and constructivism in the country, and without fear of remaining in the shadow of her famous husband, she was his comrade-in-arms in all creative hooliganism, well, without a good woman, a man will also not believe in himself, or he will believe too much. olga knyazeva, andrey lesnykh, natalya sidrova and kristina neznanova, channel one. the pearl of our region, the temple of the holy great martyr barbara on kulishi, a unique building of the 14th century in the romanesque style, is not just an architectural monument, a symbol, in the hope that there will be no connection between times. what’s interesting is that in the middle of nowhere, like who knows where, in the middle of nowhere, so, in fact, in russian, kulishki, coastal area

dear friends, we continue our conversation about vera mukhina, my guests are the founder of the moscowwoman, yes, who did these lovely things that are so necessary in everyday life and which, it would seem , so... this style is very, on the one hand , industrial and all built on such a kind of stratified movement, so in this pavilion in particular, everything is like this time is knocked down, knocked down step by step, and the form stretches, as if it was filmed in slow motion, it’s all stratified and at the same time this is the style of holdings. in these corrugated suitcases, in clothes, it manifested itself in all sorts of corrugated corduroys and so on, this is the style of this, well, i don’t know, but the plot was really difficult, because we got it, although we bought a large plot, it was above highway, and therefore the only thing that could be done was to make it very long, firstly, that is, it was 160 there with something meters, very narrow, literally 20 meters wide, it turned into such a suite. sculptors and the best there also participated , such as shadr, who, by the wa

is still with us, this is an exhibition about women changing ahead of their time, while vera mukhina glorified the new world through sculpture, alexandra exter changed theatrical scenery and costumes once and for all, another participant in the exhibition, esther shoup, looked at 60,000 m of royal newsreels, and then assembled material from various film archives, essentially laying the foundation for a new direction in documentary-historical cinema. varvara stepanova formed the school of textile design and constructivism in the country. and she was not afraid to remain in the shadow of her famous husband. irina krivonoy. victoria tokareva was third, almost 4 and a half seconds behind ragozhenova. in the men's 4 x 100 m freestyle relay , the team of st. petersburg, consisting of egor kornev alexander, confidently won. aksenovsky vasily kukushkin and alexander shchogolev, finally, in the women's 4 x 200 m freestyle relay , the tatarstan team, for which sofia dyakova, daria ustinova, anastasia kolpakova and valeria solomatina competed, won no less convincingly. based on the results of t