called unseen versailles. y wrote the introduction of the book and recalled it and called it everything being about false pornography. how can you defend it? he said here's jackie's telephone number, give her a call, and that was the end of the troubles. [laughter] i like thisÑi photograph because they look notÑi like two fashion clad beauties, but two very determined women who want to bring their book out. <%dk(roduction of this book of e southern photographer william, a major artist in the world of biography, but a bizarre figure who was a gun enthusiast. he's known among photography for being the first to bring color to art photography, but interestingly, in this book, he included pictures of the building in dallas in which lee harvey oswaled had stood to take aim at jfk. she didn't flench and allowed the photograph to go ahead, and it went ahead just as planned. that's him on the left and the photo that jackie allowed to go ahead which was the foe foe of the texas school book depository in dallas. what tha

called unseen versailles. louis onen cloth also wrote the introduction to that book, and he remembered the head of the research division at versailles calling up and saying this book is going to be all about soft pornography. how can you defend it? and louis said here's jacqueline onassis' telephone number, give her a call. [laughter] and that was the end of the troubles. [laughter] i like this photograph because they look not like two ethereal fashion-clad beauties, but two very determined women who want to bring their book out. jackie also contributed to the production of this book of the southern photographer, william eggleston, a major artist in the world of art photography, but also a kind of bizarre figure who was a gun swiewz -- enthusiast. he's known for being the first to bring color to art photography. but interestingly, in this book eggleston included pictures of the i would being in the dallas in which -- of the building in dallas in which lee harvey oswald had stood to take aim at jfk. jackie didn

don't see what i've heard described, which almost sounds like you're describing the gardens of versailles. what next to me is bill's house, which does have a beautiful garden and a big fence in front. next to that is the house you've heard is historic, and it's a beautiful house. i think it's the best on the block. and next to that, of course, is the lot we're talking about, which has -- i've always hate. it drags weight to the back with the long driveway, a scrubby sort of -- you can't really call it a garden area, and a large fence. next to that is a property with a big palm tree. other than that, it has no great merit. it has a parking space at the front. it has a new structure right behind the parking space, so it's not all in the back of the lot. it has a big space that's occupied by some sort of building, a one-story building right in the middle. and it has a huge fence with a big gnarly vine that looks like it's some alien thing that could grab you from the street. these are not garden blocks. these are not connected in any way. and i favor the construction, and i hope that you wil

monkeys and death leaves and scantily clad models on the back stairs of their site called unseen versailles. louis often clark wrote the introduction to the book and he remembered that i had of the research division, calling this book is all going to be about soft pornography. she said here is her own number. give her a call. and that was the end of that trouble. i like this photograph because they'd look like that too ethereal beauties are to determine women who want to bring their book out. jackie also contributed to the production of this book in the southern photographer, william eggleston, a major artist and art photography, but also a bizarre figure who was a gun enthusiast. he is known about photography aficionados for being the first to bring color to art photography. but interestingly in this book, edelstein included pictures of the building in dallas in which lee harvey oswald had stayed to take aim at jfk. jackie didn't flinch. she allowed the photograph to go ahead and it would have just as echols didn't have planned it. that's eggleston on the last and the photo that jackie let

[laughter] but in pittsburgh it was a foyer, and we also had a north versailles as opposed to versailles. [laughter] but nonetheless, go up to the rayburn foyer, foyer, whatever you want to call it, and there's some impressive -- you're going to see displays, the video wall, the testimonials of people who rely on us. let's never get behind and figure this is all about charts and graphs and numbers and who's going to win an argument. it's about the men and women who rely on us for service, the men and women who get up each day and do this very honorable work for this nation. so, please, stop by and do that. and i think just in concluding just like the nike ad, just do it. this ain't complicated stuff. go talk about it, forget all the other forms. you don't have to have polish speech. look 'em in the eye, tell 'em what it means. so good luck and give 'em hell on the hill. in a nice way. [applause] next, it's my real pleasure -- your program shows that d.o.t. secretary ray lahood was going to be here, but there's been some switching in the program, and i believe the secretary's going to be