doctors will say, well, you see, even, let’s say, back in medieval, and not even medieval, in victorian englandn a swaddle so that he moves his arms and legs less, well, thank god, we have followed the path of common sense and are saying that it is possible to swaddle a child, but only for a certain amount of time, because in theory, swaddling is actually an imitation of the child’s intrauterine stay, when he specifically feels the boundaries of his body due to soft pressure. walls of the uterus, when we swaddle a newborn, we actually remind him how good it was in the womb, in connection with this the child calms down, but all this is also good until a certain age, when he already begins to get out of the diapers, then of course we shouldn’t force him back ; then, from experience, you can’t force him back, that’s for sure, especially as he grows, he simply won’t fit there anymore, so let’s return to this triad then. so that the child is healthy, after all, this is probably the most important thing, but for the parents, and for the child, of course, too, are there any recommendations on what to

looked at the rock, the rock of the outflow of its architecture is not there, the early victorian style of england and all this hellish dust of handicraft culture. and this chick architecture, which is the russian empire’s history, began the chinese period, and this is the theater, and this is the result of the development of the architecture, which is the advent of ala gramadstvo i yago intares. in the image of the mental prostag of the ancient times, the non-russian style was very easy to decipher. gledzyachy on chyrvona-tsaglyany great scenes, minak so tsi otherwise, the kramal was the so-called center of the russian soul. gety project got together adrazu nekalki asob. the private uladzislav has a milianous family. like engineers and architects, he is a great leader of the diocese, he is known to the authorities of several dozen orthodox churches that have appeared. in today's magilioushchyna and gomelshchyna, there are many, accumulative experiences, on the way, bytstsamby in the project of modern architecture, all these things are known. neglected by the entire ambition of the project, young