stalingrad for the story in the trenches of stalingrad, he was awarded the stalin prize viktor nekrasov author of romanov's cops of stalingrad, was a friend of shpalikov. when nekrasov fell into disgrace and was in poverty, shpalikov wrote a script for the kiev film studio, received an advance payment and gave all the money to nekrasov, although he himself was heavily in debt. i'm walking around moscow, isolation is almost here complete but i'm not complaining. worked this year a lot sat longer writing history for will they launch or not? there is a cloudy hope although, to be honest, i don't give a damn about it. for a normal person, this would be strange, at least. drink once or more when left, however, do not drink for 40 days. then they wrote this very you and i. she just followed him around with thermos pies. so that in general, so as not to break loose and get drunk , the picture you and i, created in collaboration with larisovich. pitka thundered at the venice film festival in the seventy-second year, but most of shpalikov's scenarios were not accepted. what are your films about

small, half-empty parisian cinema, she watches a sacrifice. after that, together with the writer viktor nekrasovisits the grave of tarkovsky at the cemetery of senjanev de boa, a performance in paris for the first time but without a master. cherry orchard goes san hose i drink coffee day and night i got used to it. thank you love life is like a whirlwind people do not have time. behind this evening, the whirlwind knocks people down and carries them away and the whirlwind is always above us and we are weaker than this whirlwind, to which the name of time is merciless. yuri lyubimov returns to the ussr as a triumphant all tv channels show the airport, where he is met by a crowd of devotees and fans with flowers, he goes to his house to his theater and in those days no one could have predicted. what will happen to him with his house theater and actors in just a few years. what happened lyubimov, who sincerely gained experience in the west, believed in reforms and changes, decided that it was time to build the theater in a new way. and this means a contract system, discipline, a sound economy, and n