at the same time, viktor vuyachich made a serious bid for the belarusian stage on the all-union staget only with a cult song that only a veteran can’t sleep with, but also with a whole cycle of songs on the poems of belarusian poets and their arrangements sounded new and were instantly loved by the audience. the songs of alexandra pakhmutova and nikolai dobronravov are heard on the all-union stage. it is in the songs and poems of these wonderful classics of ours, igor luchenok became on a par with them, thanks to luchenok there was a takeoff, he created not just an ensemble, he created a whole wave, and the viros, silver, light, dewy, rode on this whole wave. i believe that in our art of both the soviet union and russia, no matter what the country is called, pesnyary, sebra, this is generally pride, glory , this is just our flag. thanks to them, a new direction in belarusian pop art was born, it would seem that the repertoire of each ensemble is based on a belarusian song. but for each it sounded unique, especially, and it was not rivalry, in the national culture they complemented eac