vilenskaya baroka, if you wish, this is already the third step in evolution getag stylyu, kali yon nabyўous trotters. the vilensk baroque, in the opposite direction of baroque, for example, in italy, spain, was very cold, spidery, fashioned, then the side was not cut and coated with cancer and pomp and pomp, on the contrary, to the fullest. baroque styles and classicism became an important development of ideas in the 17th century, most recently. the baroque style is called upon to demonstrate luxury and wealth. the well-being of the fallen emanation, dynamism, irrationalism and expression, which is characteristic of classicism molded patterns of antiquity and high-quality prasta. the baroque broadcasts ceremonialism and pompousness, vast illusions, which are said by the ensigns, classism - raunavagu, harmonicism, ensigns and functionalism. what a date of classicism, all these flat façades, which we have so much learned from now, they are important from the 19th century, such a strong campaign, from the right to the left, adnolkava, i understood everything from him, not the lid of the cab

vilenskaya baroka, if you want, this is the third step in the evolution of this style, as well as thes trotters. the vilensk baroque, in the opposite direction , baroque, in contrast, in italy and spain, was more cold, spidery, and fashioned. on the other hand, there was no croccus and rakako’s nakirunka and pompousness. baroque styles and classicism became an important development of ideas in the 17th century, most recently. the baroque style is called upon to demonstrate luxury and wealth. there is a deep rise in emanation, dynamism, cultural analysis and expression, as classicism is characterized by a variety of molded patterns. tychnasti i vysakarodnaya prostata. the baroque broadcasts ceremonialism and pompousness, vast illusions, which are said by the ensigns, classism - raunavagu, harmonicism, ensigns and functionalism. what is the history of classicism, all these flat façades, which we all share , have been built up at once, they are important from the 19th century, such a campaign, right, left, adolkava, everything is clear to them. not the lid of the cabinet, obviously, that

we, often for everything, belarusian baroka, vilenskiy style, vilenskaya baroka and glaubica ўspringd, the unexceptional.” forms, ab'yomaў nekikh, as geta ўsprymayuts, gramadzians, zhyhars, pobach, gostsі, in the capital there are other garads, geta ўzho... another , which is important, but at the same time there are traditions i, who we are, i so i think, the pavins can see as such a basis, as a base, as a padmurak, on which it is possible to further develop and explore, and it is possible to recognize this baroque admetnasty of the belarusian culture, what is it, on the contrary, in the same race? i i think that yes, there is listening to all such changes in pharmaceuticals, such positions , administration, things like that... during the period of our history, the history of our culture, we are suppressing and these meetings are so suppressing some of our cancers these materials in different forms, we can talk about the images there . with such images, and temples... there come on, fuck it supratsov of the museum, i know that this is a great hard work, as you yourself said, and tha