another floor of the eighteenth stockholz for the architecture of belarus passes under the sign of the vilinskyy. uh, vilna, the baroque is going wild. i already wanted the third step in evolution potassium heterostylus. yon got the maximum horsepower of the meat trots, and the vilna baroque among the atrocities was not from the baroque, strained from the comforts of spain, it was more cold midnight chiseled, then god, nate’s hand was not to rock with rococo and pomp and pomp, on the contrary. e, that is, cold under the armchair on e, the streams cooled baroque and classicism became a direct development of the ideas of the seventeenth. i'm a fireball shooter . rock. he was riveted to demonstrate luxury and bagatte he was treated to elevated emotions. dynamism , irrationalism and expression at that hour, i am for classicism is characterized by the obsession with the molded patterns of antiquity and the high-born simplicity of the baroque broadcast splendor and puffiness, a spacious illusion, which they say in the proportions of a buddynka, and classicism is equal to the harmony of proportions an

technology of pharmacy illusion, and i to ruffle the hyperbolized splendor and so unstoppable with the vilinsky boruk laid on our lands . something, after all, it is carried away from the sky about it fantastic architecture of the architecture of belarus in 1.5004, it is appropriate that later became the city of butsval, the chauffeurs of the monks came. at the yaki, guard the akirs. diplomas undermined them. alexander yakhilonchik, there was nothing, the monks did not know, a yak, a platoon of housing, they gave him a certain marvelous budan and began to pray at their vicious cathedral. yakim and your sonny showed up. only at the other half of the eighteenth counter will the basilica collapse closer. no, it doesn’t get better, and it just ends with a wall, the balloon nave ends, and the trampset, put on at the okhotny hour, and we immediately manchim it, i left the sleepwalk, and oh, and it’s already a trance here, and here it’s too far to add to the community. everything is urgent in this before there with relatives of architecture, damn it, for care and everyone protsevali on that, and how,

another floor of the eighteenth stock for the architecture of belarus passes under the sign of the vilinsky defense industry. ah, vilna, the baroque is fading. i already wanted the third step in the evolution of the kali heterostalk, uh, yon na was the maximum bone of the meat lynxes, and the vilna baroque in arthrosis, not from the baroque, strained from the comfort of spain, it was more cold, helpfully carved, then god, not block nate’s hand of cancer and pomposity and splendor on the contrary, uh, that is, a cold reddened e -stream. the chills of baroque and classicism became the immediate development of the theme of the seventeenth century for the preload of the new jazz, the baroque style was invoked to demonstrate luxury and richness in the pit of flattering, elevated emotionalism, dynamism and rationalism and expression. at that time. classicism is characterized by the reproduction of the left-handed patterns of antiquity and the high-born simplicity of the baroque broadcast splendor and pomposity, a spacious illusion that the proportions of a buddynka are fighting, and classicism is