it seems to me virgil and morgan earp have been bumped into the background. virgil wanted to be a good lawmen. he was pragmatic about how he enforced the law. he preferred giving people a chance to back away without embarrassing them or having their pride attacked. he did his best that day to led the cowboys settled down and ride on out of town and found himself hoarse stacked. when he did he called on the people he trusted most, is two brothers and then there was doc holliday along who would never miss an occasion like this. it was a terrible tragedy that this happened and i think if things had happened differently in one or two instances, if virgil hadn't been approached by a couple tell leaders offering vigilantes', if wyatt earp and tom mcclowery hadn't had an altercation. if the cowboys walking through the o.k. corral really meaning to leave town but not wanting to leave too fast because they didn't want the onlookers to think the earps had backed them down and made them leave, any of this might have been prevented. if not then something similar would ha

virgil says i don't mean that. what does that tell us about how this event happened?>> i will repeat that i think something was bound to happen. whether it was going to involve these specific individuals or others there was too much tension and too much mistrust. james earp said there was a certain amount of pressure on virgil by some of the townspeople that none of this would have occurred. i liked virgil a lot and i felt sorry for him. i think he tried hard to be a good lawmen. in the eyes of average americans today the gunfight at the o.k. corral involved why at her, doc holliday and the clintons. seems virgil and morgan have been bumped into the background as have tom and frank mcclowey. virgil preferred giving people a chance to back away without embarrassing them or having their pride intact. he did his best that day to lead the cowboys settle down and write out of town and finally felt forced to act. when he did he call on the people he trusted most, is two brothers and there was doc who was never going to miss an occasion like this. it was a terrible tragedy t

i like virgil a lot and ended of feeling sorry for him. i think he tried to be the good lawman. in the eyes of the average 10 man the fight at the o.k. corral but it seems to me they were bumped into the background virgil wanted to be a lawman was very pragmatic and preferred to give people a chance to back away without in harassing them or have their pride intact. he did his best to let the cowboys settle down and cried out of town than finally felt he called on those he trusted most common his two brothers than there was also $0, they you would never miss an occasion like this. it was a terrible tragedy this happened if things had happened differently year virgil have not been approached, it is quiet and tom mclaury did not have their attempts and those walking through the okay corral meeting to leave town but not too fast because they didn't want the onlookers to think the earps had backed down to make them leave, in the number may have prevented this but even so something would have happened soon to seven you may assume that the gunfight lead earps had done what the town wan

i like virgil lot, and i ended up feeling sorry for him.hink he tried very hard to be a good lawman. in the eyes of average americans today began a fight at the o.k. corral and vilest wyatt earp, doc holliday and the clanton. his scenes of virgil and morgan have been bumped into the background, as have tom and frank mccourt. birds a wanted to be a good lawman. very pragmatic about the way he enforce the law. he must prefer giving people a chance to back away without embarrassing than or having their private attacked. he did his best that date to lead the cowboys settled down and cried on out of town and finally felt forced to act. when he did he call on the people he tested most, his two brothers. then, of course, there was a doctor who would never miss an occasion like this. it was a terrible tragedy that this happen to. i think if things had happened differently in one or two instances in virgil had not been approached by a couple town leaders offering vigilantes' if white and tom have not had that, if the cowboys walking through the okay

. >> reporter: in a job-challenged economy, virgil fisher is looking to hire, as the company he runs we-recycle! he runs we-recycle! expands. impressed by the ex-con grads of bard college's prison program who already work for him, he's looking to recruit more of them at woodbourne. this is the current crop of matriculants. >> don't lose sight about what this is all about. it's about business. it's about competing. it's about being able to win in a global economy. we hear all the time that when you go to prison, the only thing that you're learning how to do is to be a better criminal. and we have people who are coming out who are able to run supply chain, who are able to run human resources, who are able to do our settlements for us. >> reporter: fisher isn't targeting everyone behind bars. talent inside, he believes, is distributed just like outside: as a bell curve. >> you're going to have a group in the middle that is average and then you're going to have a group that is below average and then you're going to have a group that just rises to the occasion. and that's typically about

bestselling autobiography, stein composed the la brett toe for a cutting edge opera converged by virgil thompson. three acts with an all black cast produced in 1934. both museums are showing excerpts. as a writer and a collector, gertrude was a very strong personality who encouraged her own celebrity and loved being painted and sculpted. perhaps the most famous portrait is by picasso, which both museums are featuring in different forms. >> gertrude tells this wonderful story of having sat in picasso's studio for some 80 or 90 sittings in a broken armchair then at one point he got completely fed up. he went off to the piranese for the summer. when we got back to the studio in paris he repainted the head and made her completely mask-like. that really was a fundamental step toward cubism. >> reporter: wanting to ensure her own legacy, stein left the picasso portrait to the new york metropolitan museum of art. the only painting she willed to a museum. >> belva: both exhibits run through september the 6th. and there's a stein slide show and arts review at kqed.org/thisweek. plus, you can rea

virgil wanted to be a good law man.

and i think if things had happened differently in one or two instances, if virgil hasn't been approached by a couple of town leaders offering vigilante, if wyatt hasn't had that, if the cowboys walking through meaning to leave town, but not wanting to leave too fast. because they didn't want all of the onlookers to see they are backed them down and made them leave. any number of things might have prevented this. even if that had been the case, something similar would have happened sometime soon. >> watch this. former director of the emergency management recalls the leadership of the agency during hurricane katrina. it's about an hour and 15 minutes. >> hi, i guess we're ready to begin. good evening. welcome to the national press club, i'm jan king, i'm on the book and author committee. we're so honored tonight to have as our guest michael brown. he'll be speaking to you all about his book "deadly indifference: the perfect political storm." copies of the book are available for purchase over there where nicole is sitting. and each sale benefits the eric friedheim national journalism librar

their names are virgil, thrax and manning. cute, cuter and cutest. >> mom carries them around in her mouth. >> just like a cat with their kittens. >> carry them around. i think that's impressive. we'll be right back with more "world news now." you go next if you had a hoveround power chair? the statue of liberty? the grand canyon? it's all possible ith a hoveround., tom: hi i'm tom kruse, inventor rand founder of hoveround., when we say you're free to see the world, we mean it. call today and get a free overound information kit, that includes a video and full color brochure. dennis celorie: "it's by far the best chair i've ever owned." terri: "last year, 9 out of 10 people got their hoveround for "little or no money." jim plunkitt: "no cost. absolutely no cost to me." breaking news...when you call today, we'll include a free hoveround collapsible grabber with the purchase of your power chair. it reaches, it grabs, it's collapsible and it's portable. it goes wherever you go. get it free while supplies last. call the number on y