for french and italian economies, our performance royalties in france are 11 times greater, viva la france. and an economy one-tenth the size of russia collects twice as much as public performances in russia. we believe the russian legal system handy caps the efforts of row in collecting public performance royalties. russian courts don't follow the law. russian courts have row's right to russian ascap members and sometimes they -- it makes no sense. further ascap composures are supposed to receive royalties for the public performance of movies exhibited in russian theaters. in fact row has sent us royalties in the past. but there is no doubt that the royal fis could be increasingly significant as american movies are widely distributed in russia, everybody loves american movies. in january, three of the top five -- hugo, the score was written by ans a cap writer, howard shore. however, meritless legal challenges now threaten row's authority to collect for this critically important source of america's music, which translates food on the table, gas in your car and taking your kids to school.

viva la france. in italy almost nine times greater. denmark, denmark, with only 4% of russia's population, denmark and an economy 1/10 the size of russia collects nearly twice as much for public performances as russia. it is clear that american music creators are not reaping the benefits from russia's passion for american music and movies. why is this? we believe the russian legal system handicaps the effort of rau, ascap's partner. it's not allowed to act as a collecting society for american music creators, yet russian courts don't follow the law. russian courts demand extraordinarily costly documentation of rau's right to represent ascap members, and sometimes they simply refuse to recognize the standing of rau to do so. it makes no sense. further ascap composers are supposed to receive royalties for the public performance of music in movies exhibited in russian theaters. in fact, rau has sent us royalties through the years in the past. but there is no doubt that such increasingly significant -- could be increasingly significant as a

i lived in france and the french kids chant "viva la france."re are northern africans not considered french. algerian, tunisias. >> kimberly: you went around the globe. >> eric: i love you, juan. but what you just said was divisive. these are two schools in texas. texas school. when did it become racist to be patriotic? >> juan: this is not about patriotism. they're both american teams. >> eric: exactly. >> juan: what is the narrative -- >> eric: if they play san antonio tonight, and they said, "usa" is that racist? >> juan: eric, guess what? no one could say "usa." it's out of context, inappropriate. why bother "usa"? >> kimberly: if it was a team made up of mostly black students, black players, would it be a problem if they said, "usa"? >> juan: no, the taunt would have been something else. this reminds me when people got upset the mexican team played a u.s. team in l.a. and mexican showed en masse because they were soccer fans and they started to cheer for mexico and waving the mexican flag. people said this is america, don't do it. i underst