sacrament - it means the deepest sincere understanding of the sacramental rite being performed. here vladimir ligoida further writes who people are trying to deceive, the church, god, but you can only deceive yourself, yes, everyone has a fall, yes, everyone sins, but why make vows to god if you are not going to fulfill them, and how... then don’t do it right away, it’s planned right away, that’s what he writes letyon, but no one had any doubts, let’s say, if you read... the interview with tatler magazine, which ksenia sobchak gave on the eve of the wedding, this is a very beautiful tradition, and when you go to church in a crown, beautiful traditions and rituals - this is something that remains forever in the memory, but somehow came together, in general this sacrament, with this, for example, let it begin to spread, i’ll fight, i’ll shit, or for these dances. or for mocking photographs with a glued-on beard in priestly attire, by the way, priestly attire, each, any, illuminated, it was generally somehow assessed. okay, we realized , we repented, okay, we closed our eyes, but here’s the script , aft

have gathered today with the thoughts of the theory maxim kozlov, ivan ilyevich glazunov, i am vladimir ligoida, if you like to collect your thoughts with us, you can find all episodes of our podcast on the channel one website. we have already begun to talk about how the christmas theme in culture is manifested and reflected, i know which one i want. i should suggest a turn, because in these literary stories, in the movies, in something else, specifically on the christmas, gospel theme, stories arise that are not in the gospel, but whether there is something in them, i don’t know, there in films, in books, in stories, maybe in paintings, of which there are not so many, as we found out, something that is especially dear to you, that seems so important to you, i don’t know, touching and so on, here ivan ilyevich, do you have some of these, well, in films i don’t i know, especially - these magicians came, which means they came to worship, although a little later than christmas, naturally, they are often combined in icons, the worship of the magi, but this very moment of the birth of the savior , i

today i thank you, alexey shmilyov, priest anthony borisov, i am vladimir ligoida, we were gathering.cast everyone wants to fly. and i am the host of this podcast, leonid yakubovich. today, my friends, you and i will not fly anywhere, we are in... in the debriefing area, we will talk today with the people who created an amazing film called air, the director of the film is alexey german, hello, the performer of one of the main roles is elena lyadova. hello, brothers. well, what can i say, unlike all the other films i have seen, uh, as far as i understand, the premiere will take place, it will be released on january 18, you tell me. we were surprised by this: i was somewhat wary when i started watching the film, because i thought that it would be another action movie with shooters, bullets, burning in the cockpit with wild screams and so on, you somehow moved away from this, you showed, perhaps, perhaps the most difficult part of this life on earth. lening blockade, girl pilots and girl technicians must show training, courage and self-sacrifice, not only breams, but also technicians, th

rector of the russian academy of paintings, sculptures from the patronymic ilya glazunova, i am vladimir ligoida, happy holiday, dear friends. happy holiday, hello. and the first question. i have this: do you remember some, perhaps the most unusual, brightest, most memorable christmas of yours? well, of course, the first one was unusual, well, simply because it was the first, it was 1980, i was baptized there a little over six months before, i was still a schoolboy, in soviet times, we tell our young people, i had such an older friend, or so, with my mother’s blessing, he took me to churches, well, when i was still 7-8 years old, and they came to the catholics, it was christmas, well, for general information, no, he was orthodox, he took me to the lavra, but so yes for development, so i remember this service they had - in my opinion in the cathedral of louis. well, yes, it was new year’s moscow, not christmas, but it had its own world, which i always remembered, these ancient, gold-embroidered vestments, this is important, as - apparently it was for such an aesthetic experience of christmas for

larson, i am vladimir ligoida, we were gathering thoughts about works of mercy.cast is live on channel one, with you as always. its presenter elena kiper, producer , music video director and roman karmanov, general director of the presidential fund for cultural initiatives and media manager, is visiting us today with a national artist. russia, artistic director of the moscow provincial theater, sergei bezrukov. hello, hello, hello. let's start, perhaps, with the glorious anniversaries. well, firstly, the anniversary that took place at the end of last year is a personal 50th anniversary, it is a glorious milestone, of course, a glorious one at 100 years, and 50 is still half a century, how do you generally feel about your anniversary, in general? first, in work, in work, i believe that the anniversary is. for really 100 years or 80, let’s say, well , 80 is possible, although it’s better at 90, if you live, you have to work at 50, if you are still able to work at 50, it’s better to work, and i noted in my work, regarding the anniversary in the theater itself, then

here is talarsan, tv and radio presenter, i’m vladimir ligoida, and i really think that gleb zhiglovknow, which we try to live, it appears along with christianity, so the word is certainly priestly, i would like to as such the first, as i call it, such a warm-up starting question, to ask you, dear friends, how did works of mercy appear in your life? vladyka, can we start with you? i've lost the meaning of life, right? i was a little over 20 years old, i was disappointed in everything, in art, in family life, in everything. and i didn't know what to do. committing suicide is somehow scary. i didn’t want to, yes, like hamlet, suddenly there ’s something there, i don’t know, in general, well, in general, i’m very afraid of pain. so... to do something, so i thought, there are children who are sick, they, probably bad, i was sick myself, i remember as a child, it was very bad, very scary, maybe one day the orderlies would go to work in the hospital, i went to the hospital, now it ’s called vladimirskaya, then rusakovskaya, at first it was, then rusakov, now vladimirskaya again , they didn

very much, thank you very much for our conversation, bishop panteleimon, talarsan is here, i’m vladimir ligoidala for happiness, or at least everyday joy. our today 's heroine anastasia came with the following question: her today's lover, her today 's man does not accept her son from a previous marriage, and the expert in today's episode is a famous psychologist, family psychologist evanova, who knows this... situation both as a specialist and as a woman. hello. hello. well, anastasia, tell us your story. the story is, yes, that i had a previous marriage behind me, in this marriage i had a son, yes, but it turned out that we divorced my husband and , accordingly, but anyway we are all women, we want a relationship, yes, i started a relationship with a man, we met him, sort of on... well, to be honest, on a dating site, yes, everything was basically good, beautiful, romantic, but at some stage problems began in the relationship, they started due to the fact that i have a child from a previous marriage , and he immediately knew that you had yes, yes, yes, yes, that is, i right up to the point tha

dmitry petrovich bag, evgeny germanovich vadolaskin, i’m vladimir ligoida, let’s continue. something, but that we remember something. by and large, in... the memory of an individual, and the memoirs of another contemporary about the same events will be different, how to perceive this? well, if you allow me, i would still start with forgetting, so that this topic does not disappear, because we are always in this earthly vale we are faced with the realization that we will have to forget, yes , that something completely different awaits, and i keep repeating the quatrain with... in general, you can be surprised, that is, memory, it stores completely different things, this it’s not that there are five cameras, five identical pictures taken, this is a completely different story, and memoirists need to, well , at least check where, if we want historical ones, i just know what else i thought about, right here... right on the bridge like that moves on to the topic of imaginary memories, not just interpretations, again in chaigin there is this nikolai ivanovich, but this story about