now it’s somehow strange to oleg, vladimir mitrofanovich rogovtseva during training was like this 10us the principle of an artist’s work. eh, zena before petrovna zubkova, i always don’t like talking to her. she and i play together the play marriage and although we don’t have blue text between us and only exchange glances with her, she always comes up to me after the performance and she and i discuss what happened like that. and what’s wrong? and this also has a very strong influence. and i very much admire georgievna zakharievich in mine, and now she’s coming out, then at the moment only the leading peacocks and at some events read excerpts from the classics of belarusian literature, and the way she reads how a person generally exists in his life, how much pain he endures and knows how to accept the proposed circumstance and retain the whole essence of deep fullness. it can't. to live with my highest respect for the adoration of this person and, moreover, some, probably, of her life principles, her hmm principle of life in the theater of work. he fascinates me very much and we are a