film director, screenwriter and writer vladimir orlov vladimir alexandrovich good morning, of course,man, you come from the side, when was the last time you were in your small homeland in the ninety-second year, when i flew there for 2 days to bury my mother , there is nothing with this city now connects, in addition to the fact that for some reason i am an honorary member of the azerbaijani diaspora and for many, many years already, uh, all ambassadors change, and i am invited to these, so to speak, meetings of memories although i left there eight years, like yours parents, if you were married, azerbaijanis are not alike. of course not. uh, they are full-blooded slavs, dad is russian, mom is ukrainian, dad ended up there, probably at about 12 to 13 years old. eh, because he is with his mother with my grandmother. uh, to be honest, i ’ll tell you from tbilisi, from tiflis, they fled from the bolsheviks to get lost in the proletarian side, and my mother in the same years, probably at 13-14, fled with ukraine from the famine 8 years old i was i was always with my grandmother there, beca

screenwriter and writer vladimir orlov vladimir alexandrovich good morning. d as you are already from baku when was the last time you were in your small homeland in the ninety-second year, when i flew there for 2 days to bury my mother , nothing connects me with this city now, except that for some reason i am an honorary member of the azerbaijani diaspora and for many, many years now, all ambassadors change, and i am invited to these, so to speak, meetings of memories although i left there for eight years, like your parents, if you were married, azerbaijanis are not alike. no, of course, uh, they are, uh, full-blooded slavs, father is russian, mother is ukrainian. dad was there, probably at about 12 years old at 13:00. uh, because he's with his mom and his grandma. eh, be honest with you i will say from tbilisi from tiflis. they fled from the bolsheviks to get lost in the proletarian side, and my mother in the same years, too, probably at 13:14 fled from ukraine from the holodomor 8 years old i was with my grandmother there all the time, because my father and

vladimir orlov vladimir alexandrovich good morning. of course, good. what kind of woman are you from baku when was the last time you were in your small homeland in the ninety-second year, when i flew there for 2 days to bury my mother , nothing connects me with this city now, except the fact that for some reason i am an honorary member of the azerbaijani diaspora and for many, many years now, all ambassadors change, and i am invited to these, so to speak, meetings of memories although i left there for eight years, like your parents, if you were married, azerbaijanis would not similar. no, of course, uh, they are, uh, full-blooded slavs, father is russian, mother is ukrainian. dad was there, probably at about 12 years old at 13:00. uh, because he's with his mom and his grandma. eh, i'll tell you honestly from tbilisi expired. fled from the bolsheviks to get lost in the proletarian side, and my mother in the same years, too, years, probably at 13:14 fled from ukraine from the holodomor. i was 8 years old, i was with my grandmother there all the time, because dad and mom worked, and this grandmother respected dad. yes, i'll tell you more than that valery evgenievich the fact is that because of my grandmother i ended up in belarus and this is when your parents divorced, yes, they divorced before the war, as they say shortly after my birth. well, they were very good. e familiar friends. mom and her husband came to grodno, and dad came with mine. stepmother they came to baku extinguished each other. so uh, well, again ironically. before the war they lived in the same yard and my stepfather. mom and dad lived in the same yard. and so, when he returned, he saw to his stepfather from captivity that mom my freedom is everything. and then, as it were, well, your parents divorced. eh, when you were still a child, as we found out, and what is interesting, which is not typical of the soviet era. you stayed with your father, that's more . whose choice was it, yours or your parents'? dad happened to be in belarus, but it was a happy occasion, because the general called the pope from baku and was looking for him in moscow. orlov needs to raise defense work in the liberated areas into the corridor. 10 minutes think three options, belgorod grodno velikiye luki in 10 minutes, tell the decision father goes out into the corridor. and who is in the corridor of the military, who just liberated it all, says orlov belgorod absolutely destroyed city, velikiye luki yes, this is a big village, grodno grodno polish city is a beautiful city, absolutely general, grodno everything turned out to be there, he came there that's it, and dad forever, taking his mom leaves for grodno and dad. he says, son, i'm leaving. i say dad forever. yes, you will come with me, i had one question, but my grandmother would. well, of course, i said without hesitation, dad. i'm going with you after you moved to grodno, you often managed to see with my mother, which means that every two or three years i came to her there when i was very seriously ill in the fifty-first year. their marriage came to grodno, that is, well, as it were saw each other constantly correspondence. mom loved to write letters. i had a wonderful family there in baku with my stepfather and my dad with his stepmother. eh, it was too. they definitely have love. can you just envy? and how did you get to the shooting of the legendary film mikolka parovoz, i am finishing the tenth grade, i dream of becoming a director at this moment, the mother of my friend yura gladkikh, his mother says, vova, you are going to become a director. yes, you know that the group from the movie mykola ko parovoz opened an account with us and they will be here for half a year there, yes october. well, of course, i nailed to this to this group. i was called an 18 year old. well, how was the young man called to minsk to work for belarus in the film. well, can you imagine such a miracle? maybe because i crave these miracles of joy. and they come to me all the time. in general, as i understand it, after uh mikolki locomotive, the work that was brought out on the set of this other films. you only strengthened your desire to become a director, and after school you went to conquer film universities, but you didn’t pass twice entrance exams, what i didn't like about entrance exams, you know that now i sometimes analyze myself and think, of course, it's a pity that they didn't accept me, uh, in the university, but on the other hand. i understand that i looked so pathetic. you see, a grodno provincial boy who graduated from a ten-year-old school, and then igor dobrolyubov was recruited, he acted with me, who had already graduated from a white university and worked as an artist in the theater for young spectators, in my opinion, andron konchalovsky acted then nikita later. that is, people from the creative intelligentsia acted, and i came. i realize how stupid i looked like me, of course that's me. i often think about it now, and so it was the next year, you understand, but, uh, fortunately , in the year 1958, our director's workshop was organized. i also wanted to, uh, ask you. here's what from your dreams. you did not refuse and you, uh, went as an assistant director to belarus film. yes , yes, all these years i worked as an assistant director on five films. i worked. they were mikolka. steam locomotive our neighbors red leaves. uh, the girl is looking for her father. after graduation institute. e you got a job in a tv movie and a bill of a tv and radio company, so in your interviews. you said it was a special privileged department. and here's what it was. its peculiarity came to me two applications for belarusfilm and for a tv movie seeing what was being done at belarusfilm at that time. i think i did the right thing by choosing the tv movie. it was just being formed , just starting its own television production, you know, and it was interesting to me. it was important to me, and i understood that the leaders of the first uh tv and radio companies, and then it was called radio, they relied on a tv movie, because they didn’t understand that they would represent everyday penny programs belarusian television and belarus in general at festivals, but only films and that’s how we became a prosperous film, firstly, we had a very good directing school for everyone. secondly, the newsrooms were all engaged in military broadcasts of sports broadcasts of children's broadcasts. uh, there on popular science broadcasts, social-politics broadcasts. that is, there were these one-time broadcasts are all some things that came today. tomorrow they're gone. that 's it. and we were television, we shot on a wide thirty-five-millimeter film, and we took it all to moscow. moscow accepted us. what is the role of youth in the religious life of the country, but in fact, when you enter the temple among people of respectable age, our youth, they are especially noticeable in the temple and also especially noticeable. and in general, in church life, what kind of experience do you need to go through in order to realize the deep meaning of the faith ? you are a goat leather way more faithful to myself and my mind, i poop, a great price was paid for us sinners. what should a believer do in order to get closer to god on the way to our chan, it’s better they are jesus through fault on beat him with the right thought of a word and christian men are waiting and have given us freedom. and we are already deciding whether to invite him into our hearts or not. look, spiritual and educational projects on belarus 24 tv channel. dance is the pulse of movement breathing is the rhythm of life. fashion illustration art of conveying fashion ideas in visual form dear, dinner spoon new theatrical forms author's reading of classical works search for sacred meaning every week we are in a new place, watch the project of fashion for culture on wednesdays on belarus 24 tv channel . i'm still flying. you started your career with documentaries, and among the heroes of your films were astronauts and composers. musicians plant directors, chairmen of collective farms. in general, these are completely different fates, but in your opinion. what do you have they had in common i was interested in the idealists? for example, i made a film about the first secretary of the vileika city party committee, which, as they say, the former vileika region he wanted in a separate, taken his district. to build market relations he was a communist. he was an idealist, you know, moreover, we flew with him in june 13, 1983 with my large film crew to georgia, we traveled around georgia and watched how it all happens. the so -called abazh experiment was a film i made. and i'm not a couchette for the general director of the production association. alesya knitwear. here's some. yes, he tried to build market relations within the framework of his factory. she was then called this olesya, they had their own rest home, their own dining room, their kindergarten, or there were all sorts of benefits, you understand, they were ahead of their time, these wonderful people, with whom i will not hide. after that, i met many times and shared feasts with them. you know, because they continued to be interesting to me and dem to walk. i know that you m-m more and for the longest time they filmed songwriters, and you even met vladimirvery unusual circumstances, as it was two such funny artists, they began to court me, because they were told that there is a young director on television who makes musical films and is very loves. but they, then invited me called. everything. i say, well, i must see they invited me to their content philharmonic held for some reason at 3:00 in the afternoon. okay, i'm coming. it's three minutes to three there, firstly it's raining, secondly no one in front of the philharmonic. no, well, i knew how raikin spoke through back cyrillic. i go to the service entrance to the philharmonic. they are waiting for me. yes, here the concert in the large hall was canceled, that means. there we go there, well, let's say we sit in stolbtsy, then we take the bus. well, here we go, and next to me sits a beautiful woman who introduced herself as lydia karmalskaya, she performed in a genre that is now dead does not exist, and artistic whistling. as soon as we left, she unfolds. uh, it means that there is s