then i worked at the conservatory at the academy of music in the clarinet class from vladimir pavelovich skorokhodovalossal school for a concertmaster, later i met people’s artist nina vladimirovna sharubina, began working in her class, and that’s when we started to receive such small proposals, to talk about working in the theater, the head of the opera company nina ivanovna kozlova heard me at that time, but again. i thought that this was not for me, i thought that it would be difficult for me and that i couldn’t cope, then i went on maternity leave, when my son was almost 2 years old, a specific proposal had already been received: nastya, our accompanist is leaving, agree, something just clicked for me, i thought it was now or never, that’s actually how i got into the theater, when i started working... started working, i had the feeling that i was in the vatican, a kind of state within a state, with its own clear structure, but at the same time with some of its own specific musical traditions, rules, views on life and creative aspects, this of course really amazed me, and i am very glad that i rec